S. Hurok Presents; A Memoir of the Dance WorldHurok, Sol
History
S. Hurok Presents; A Memoir of the Dance World
Hurok, Sol
Ballet -- History
Then they would go to work in the class, subjected to the strictest
discipline, and, sometimes, to the sharpest and most caustic sort of
criticism imaginable. Then, at the end of the class, again came
individual approbation and encouragement.
This is the sort of little thing I have never observed at Sadler’s
Wells. It may, of course, be there; and again, it may not.
The Sadler’s Wells personnel love “Madame”; regard it as a high
privilege to be a part of the Wells organization; do not look on their
association merely as a “job.”
It might be that “Madame” could advantageously employ Vaganova’s method
in this regard, use her example in her own relations with her company.
Certainly, it could do no harm, as I see it. It may well be that she
does. The point is that I have never seen it in practice.
In the better part of a lifetime spent in the midst of the dance, I can
remember no one with a greater devotion to ballet, or one willing to
make more sacrifices for it, and for the spreading of its gospel.
Let me cite just one example of this devotion. It was during the second
North American tour of the Sadler’s Wells company that, despite all the
demands made upon her time and energy, she was impelled to undertake a
long lecture tour of Canada and the Northwest to spread the gospel of
ballet and the British Council.
Herbert Hughes, the general manager, came to me to point out that since
“Madame” had to do this, he felt we should send some one to accompany
her, because she was unfamiliar with the country, and with the train and
air schedules.
I fully concurred, in view of all he had said, and the possibility of
inclement weather at that time of the year.
Together we approached “Madame” with the idea. It did not meet with her
approval. It was quite unnecessary. She was quite able to take care of
herself. She did not want any one “making a fuss” over her.
Of course, she would require funds for her expenses. Hughes prevailed
upon her to accept $300 as petty cash. “Madame” stuffed the money into
her capacious reticule.
When “Madame” rejoined the company, she brought back $137 of the $300.
“This is the balance,” she said to Hughes, “I didn’t spend it.”
This entire lecture tour, in which she covered thousands of miles, was
but another example of her tirelessness and Ninette de Valois’
single-track mind.
She was due to rejoin the company at the Ambassador Hotel, in Los
Angeles, on the morning of the Los Angeles _première_ of the Sadler’s
Wells Ballet, at which time we had arranged a large breakfast
press-conference, over which “Madame” was to preside.
Public-domain text, read in full here on John Shaqi.
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