S. Hurok Presents; A Memoir of the Dance WorldHurok, Sol
History
S. Hurok Presents; A Memoir of the Dance World
Hurok, Sol
Ballet -- History
The Sadler’s Wells Theatre is in Rosebery Avenue, in the Borough of
Islington, now a middle-class residential section of London, but once a
county borough. For nearly three hundred years, the site of the Sadler’s
Wells Theatre has been used for entertainment purposes. Several theatres
have stood on the site, and while the dance has always been prominent in
its history, everything from tight-rope and wire-walking exhibitions to
performing dogs and dance troupes has been seen there.
It was in 1683 that a certain Thomas Sadler, who was, apparently, a
Highway Surveyor, lived there in what was then Clerkenwell, and found a
well, actually a spring, having medicinal properties, in his garden. It
soon was regarded as a holy well, with healing powers attributed to it.
Hither came the halt, the blind and the sick to be cured, and Mr. Sadler
determined to commercialize his property. On his lawn he built his Musik
House, a long room with a stage, orchestra and seats for those partakers
of the waters who desired refreshments as well during their
imbibing--and he also provided entertainment. The well is still there
today, preserved under the present theatre, but is no longer used, and
the theatre’s water supply is from the municipal mains.
Rebuilt, largely by public subscription, the present theatre was opened
in 1931, alternating opera and Shakespeare with the Old Vic, but
eventually it became the exclusive home and base of the Sadler’s Wells
Opera Company and the Sadler’s Wells Ballet Company. In 1946, when
Ninette de Valois accepted the invitation of the Covent Garden Opera
Trust to move the Sadler’s Wells Ballet company to the Royal Opera
House, Covent Garden, another company (actually the revival of another
idea, the Sadler’s Wells Opera Ballet) was established at the Sadler’s
Wells Theatre, and called the Sadler’s Wells Theatre Ballet.
Here, in a fine, comfortable, modern theatre, I saw a fresh young
company, with seasoned artists, first-class productions, and some
first-rate dancing: a company I felt America should know.
Public-domain text, read in full here on John Shaqi.
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