Sagunto (Spain) -- History -- Siege, 219-218 B.C. -- Fiction
Before Actæon deigned to answer, he hastened to add with melancholy
pride:
"I have not always been a slave. I have been in this condition but a
short time, and before I lost my freedom my fervent desire was to visit
your country. O Athens! The city where poets are gods!"
He recited in Greek some verses from the Prometheus of Æschylus,
astonishing Actæon by the purity of his accent and by the expression
which he communicated to his words.
"Can it be that here in Rome your masters dedicate you to poesy?" asked
the Athenian, laughing.
"I was a poet before I became a slave. My name is Plautus."
Glancing around as if fearing to be surprised by some member of his
master's family he continued talking, happy at being able to free
himself from the torment of the mill.
"I have written comedies. I tried to establish the theatre in Rome,
which is almost a cult among your people. The Romans have little
sensibility to poetry. They love farces; a tragedy that would move the
Hellenes to tears, leaves them cold; one of Aristophanes' comedies would
put them to sleep. They, Athenian, enjoy only the Etruscan buffoons,
those grotesque comedians of the farces which they call Atellanæ, and
the hideous maskers with sharp teeth and deformed heads who stalk in the
triumphal processions growling their obscenities. They would stone the
heroes of your tragedies, while on the other hand, they howl with
enthusiasm at the entry of a victorious consul when the soldiers pass
disguised in rams' skins, wearing tufts of bristling horsehair, and they
laugh at seeing them avenge themselves for their humble condition by
insulting the conqueror behind his triumphal car. I wrote comedies for
these people, and I write them still in moments when my master ceases
beating me to make me turn the mill. The patricians, the free citizens,
do not enjoy seeing themselves personated in the scene. Here they would
rend Aristophanes to pieces, he who represented upon the stage the most
prominent men of Athens. My heroes are slaves, foreigners, and
mercenaries, and they make the audience laugh. I have finished a comedy
there within that den, ridiculing the fanfare of the warriors. I would
recite it if I did not fear that my master might return at any moment."
"But how have you fallen into such a wretched situation after having
been the entertainer of your people?"
Public-domain text, read in full here on John Shaqi.
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