New England -- Religious life and customs; New England -- Social life and customs -- To 1775; Sunday
In 1647 a tract had appeared on church-singing which had attracted much
attention. It was written by Rev John Cotton to attempt to influence the
adoption and universal use of "The Bay Psalm-Book." This tract thoroughly
considered the duty of singing, the matter sung, the singers, and the
manner of singing, and, like all the literature of the time, was full of
Biblical allusion and quotation. It had been said that "man should sing
onely and not the women. Because it is not permitted to a woman to speake
in the Church, how then shall they sing? Much lesse is it permitted to them
to prophecy in the church and singing of Psalms is a kind of Prophecying."
Cotton fully answered and contradicted these false reasoners, who would
have had to face a revolution had they attempted to keep the Puritan women
from singing in meeting. The tract abounds in quaint expressions, such as,
"they have scoffed at Puritan Ministers as calling the people to sing one
of _Hopkins-Jiggs_ and so _hop_ into the pulpit." Though he wrote
this tract to encourage good singing in meeting, his endorsement of "lining
the Psalm" gave support to the very element that soon ruined the singing.
His reasons, however, were temporarily good, "because many wanted books and
skill to read." At that time, and for a century later, many congregations
had but one or two psalm-books, one of which was often bound with the
church Bible and from which the deacon lined the psalm.
So villanous had church-singing at last become that the clergymen arose in
a body and demanded better performances; while a desperate and disgusted
party was also formed which was opposed to all singing. Still another band
of old fogies was strong in force who wished to cling to the same way of
singing that they were accustomed to; and they gave many objections to the
new-fangled idea of singing by note, the chief item on the list being the
everlasting objection of all such old fossils, that "the old way was good
enough for our fathers," &c. They also asserted that "_the names of
the notes were blasphemous_;" that it was "popish;" that it was a
contrivance to get money; that it would bring musical instruments into the
churches; and that "no one could learn the tunes any way." A writer in the
"New England Chronicle" wrote in 1723, "Truly I have a great jealousy
that if we begin to _sing_ by _rule_, the next thing will be
to _pray_ by rule and _preach_ by rule and _then comes popery_."
Public-domain text, read in full here on John Shaqi.
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