New England -- Religious life and customs; New England -- Social life and customs -- To 1775; Sunday
It is said that the abolition came gradually; that the impetuous and
well-trained singers at first cut off the last word only of the deacon's
"lining;" they then encroached a word or two further, and finally sung
boldly on without stopping at all to be "deaconed." This brought down
a tempest of indignation from the older church-members, who protested,
however, in vain. A vote in the church usually found the singers
victorious, and whether the church voted for or against the "lining," the
choir would always by stratagem vanquish the deacon. One old soldier took
his revenge, however. Being sung down by the rampant choir, he still showed
battle, and rose at the conclusion of the psalm and opened his psalm-book,
saying calmly, "_Now_ let the _people of the Lord sing_."
The Rowley church tried diplomacy in their struggle against "deaconing,"
by instituting a gradual abolishing of the custom. In 1785 the choir was
allowed "to sing once on the Lord's Day without reading by the Deacon." In
five years the Rowley singers were wholly victorious, and "lining out" the
psalm was entirely discontinued.
In 1770, dissatisfaction at the singing in the church was rife in
Wilbraham, and a vote was taken to see whether the town would be willing
to have singing four times at each service; and it was voted to "take into
consideration the Broken State of this Town with regard to singing on the
Sabbath Day." Special and bitter objection was made against the leader
beating time so ostentatiously. A list of singers was made and a
singing-master appointed. The deacon was allowed to lead and line and beat
time in the forenoon, while the new school was to have control in the
afternoon; and "whoever leads the singing shall be at liberty to use the
motion of his hand while singing for the space of three months only." It is
needless to state who came off victorious in the end. The deacon left as a
parting shot a request to "make Inquiry into the conduct of those who call
themselves the Singers in this town."
Public-domain text, read in full here on John Shaqi.
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