New England -- Religious life and customs; New England -- Social life and customs -- To 1775; Sunday
It seems astonishing that New England communities in those times of anxious
and depressing warfare should have so delightedly seized and adopted this
unusual and comparatively joyous style of singing, but perhaps the new
spirit of liberty demanded more animated and spirited expression; and
Billings' psalm-tunes were played with drum and fife on the battlefield to
inspire the American soldiers. Billings wrote of his fuguing invention, "It
has more than twenty times the power of the old slow tunes. Now the solemn
bass demands their attention, next the manly tenor, now the lofty counter,
now the volatile treble. Now here! Now there! Now here again! Oh ecstatic,
push on, ye sons of harmony!" Dr. Mather Byles wrote thus of fuguing:--
"Down starts the Bass with Grave Majestic Air,
And up the Treble mounts with shrill Career,
With softer Sounds in mild melodious Maze
Warbling between, the Tenor gently plays
And, if th' inspiring Altos joins the Force
See! like the Lark it Wings its towering Course
Thro' Harmony's sublimest Sphere it flies
And to Angelic Accents seems to rise."
A more modern poet in affectionate remembrance thus sings the fugue:--
"A fugue let loose cheers up the place,
With bass and tenor, alto, air,
The parts strike in with measured grace,
And something sweet is everywhere.
"As if some warbling brood should build
Of bits of tunes a singing nest;
Each bringing that with which it thrilled
And weaving it with all the rest."
All public worshippers in the meetings one hundred years ago did not,
however, regard fuguing as "something sweet everywhere," nor did they agree
with Billings and Byles as to its angelic and ecstatic properties. Some
thought it "heartless, tasteless, trivial, and irreverent jargon." Others
thought the tunes were written more for the absurd inflation of the singers
than for the glory of God; and many fully sympathized with the man who
hung two cats over Billings's door to indicate his opinion of Billings's
caterwauling. An old inhabitant of Roxbury remembered that when fuguing
tunes were introduced into his church "they produced a literally fuguing
effect on the older people, who went out of the church as soon as the first
verse was sung." One scandalized and belligerent old clergyman, upon the
Sabbath following the introduction of fuguing into his church, preached
upon the prophecy of Amos, "The songs of the temple shall be turned
into howling," while another took for his text the sixth verse of the
seventeenth chapter of Acts, "Those that have turned the world upside down,
are come hither also." One indignant and disgusted church attendant thus
profanely recorded in church his views:--
"Written out of temper on a Pannel in one of the Pues in Salem Church:--
"Could poor King David but for once
To Salem Church repair;
And hear his Psalms thus warbled out,
Good Lord, how he would swear
Public-domain text, read in full here on John Shaqi.
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