It is pleasing, too, this "Ainsworth's Version," aside from any thought of its historic associations; its square pages of diversified type are well printed, and have a quaint unfamiliar look which is intensely attractive, and to which the odd, irregular notes of music, the curiously ornamented head and tail pieces, and the occasional Hebrew or Greek letters add their undefinable charm. It is a square quarto of three hundred and forty-eight closely printed pages, bound in time-stained but well-preserved parchment, and even the parchment itself is interesting, and lovely to the touch. The titlepage is missing, but I know that this is the edition printed, as was Priscilla's, in Amsterdam in 1612 (not "in England in 1600" as a note written in the last blank page states). The full title was "The Book of Psalms. Englished both in Prose and Metre. With annotations opening the words and sentences by conference with other Scriptures. Eph. v: 18,19. Bee yee filled with the Spirit speaking to yourselves in Psalms and Hymns and Spiritual-Songs singing and making melodie in your hearts to the Lord." The book contains besides the Psalms and Annotations, on its first pages, a "Preface declaring the reason and use of the Book;" and at the last pages a "Table directing to some principal things observed in the Annotations of the Psalms," a list of "Hebrew phrases observed which are somewhat hard and figurative," and also some "General Observations touching the Psalms." I can well imagine what a pious delight this book was to our Pilgrim Fathers; and what a still greater delight it was to our Pilgrim Mothers, in that day and country of few books. They possessed in it, not only a wonderful new metrical version of the Psalms for singing, but a prose version for comparison as well; and the deeply learned and profoundly worded annotations placed at the end of each Psalm were doubtless of special interest to such "scripturists with all their hearts" as they were. There were also, "for the use and edification of the saints," printed above each psalm the airs of appropriate tunes. The "rough-hewn, angular notes" are irregularly lozenge-shaped, like the notes or "pricks" in Queen Elizabeth's "Virginal-Book," and are placed on the staff without bars. Ainsworth, in his preface, says, "Tunes for the Psalms I find none set of God: so that ech people is to use the most grave decent and comfortable manner that they know how, according to the general rule. The singing notes I have most taken from our Englished psalms when they will fit the mesure of the verse: and for the other long verses I have also taken (for the most part) the gravest and easiest tunes of the French and Dutch psalmes." Easy the tunes certainly are, to the utmost degree of simplicity.