Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
country.” When St. John had spoken thus, he delivered to them the ring,
and vanished out of their sight. The pilgrims, praising and thanking
the Lord for this glorious vision, went on their journey; and being
arrived in England, they repaired to King Edward, and saluted him, and
delivered the ring and the message, relating all truly. And the king
received the news joyfully, and feasted the messengers royally. Then he
set himself to prepare for his departure from this world. On the eve of
the Nativity, in the year of our Lord 1066, he fell sick, and on the
eve of the Epiphany following he died. The ring he gave to the Abbot of
Westminster, to be for ever preserved among the relics there.’[142]
According to one account,[143] the pilgrims met the king near his
palace at Waltham, at a place since called _Havering_. The writer
adds,—‘In allusion to this story, King Edward II. offered at his
coronation a pound of gold made in the figure of a king holding a ring,
and a mark of gold (8 oz.) made like to a pilgrim putting forth his
hand to receive the ring.’ These must have been two little statuettes
of gold.
The legend of King Edward and St. John the Evangelist is represented,
with other legends of the same monarch, along the top of the screen of
Edward the Confessor’s chapel. It is in three compartments. The first
represents King Edward bestowing the ring on St. John in the disguise
of a pilgrim; Westminster Abbey is seen behind. The second shows us
the meeting of the pilgrims and St. John in Palestine; he holds what
seems a palm. In the third the pilgrims deliver the ring to King
Edward, who is seated at table. The sculpture is very rude; the figures
disproportioned and ungraceful. They are supposed to be of the time of
Henry VI.
The same legend was painted on one of the windows of Romford church, in
Essex, but whether it still exists there I know not.[144]
* * * * *
Before I quit the subject of the Evangelists, it is worth while to
observe that, in Greek Art, not only the Four Evangelists, but the six
writers of the Acts and Epistles, are considered as a sacred series. In
an ancient and beautiful MS. of the _Epistole Canoniche_, presented by
the Queen of Cyprus to Pope Innocent VIII., they are thus represented,
two and two together:—
St. Luke, with a very thoughtful, earnest countenance, holds a scroll,
on which is written in Greek the commencement of the Acts, ‘The former
treatise have I made, O Theophilus; &c.; and St. James, with a long,
very earnest, and refined face, holds a single roll.
St. Peter, with a broad, coarse, powerful physiognomy, strongly
characterised, holds two rolls; and St. John, with a long and very
refined face, grey hair and beard, holds three rolls.
St. Jude, with a long white beard and very aquiline nose, holds one
roll. St. Paul, bald in front, with long brown hair and beard, and a
refined face, bears many rolls tied up together.
Public-domain text, read in full here on John Shaqi.
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