Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
3. By H. S. Beham, a most curious set, in what may be called the ultra
German style: they stand two and two together, like a procession of old
beggars; the workmanship exquisite. Another set by Beham, in which the
figures stand singly, and which includes the Four Evangelists, dressed
like old burgomasters, with the emblematical wings, has been already
mentioned.
4. A set by Parmigiano, graceful and mannered, as is usual with him.
5. By Agostino Caracci. This set, famous as works of art, must, when
compared with those of Raphael and Lucas van Leyden, be pronounced
absolutely vulgar. Here St. John is drinking out of his cup, —an idea
which might strike some people as picturesque; but it is in vile taste.
Thaddeus has a saw as well as Simon; Peter has the papal tiara at his
feet; St. James Minor, instead of Thomas, carries the builder’s rule;
and St. Bartholomew has his skin thrown over his shoulders. This set
is an example of the confusion which prevailed with respect to the old
religious types and attributes, after the first half of the sixteenth
century.
6. ‘The Five Disciples,’ by Albert Dürer, seem intended to form part
of a complete set. We have St. Paul, St. Bartholomew, St. Thomas,
St. Philip, and St. Simon. The two last are the finest, and are most
grandly conceived.
These are examples of the simplest devotional treatment.
* * * * *
When the Apostles are grouped together in various historical
scenes,—some scriptural, some legendary—they are more interesting as
individual personages; and the treatment should be more characteristic.
Some of these subjects belong properly to the life of Christ: as the
Delivery of the Keys to Peter; the Transfiguration; the Entry into
Jerusalem; the Last Supper; the Ascension. Others, as the Death and
Assumption of the Virgin, will be considered in the legends of the
Madonna. But there are others, again, which refer more particularly to
the personal history of the Apostles, as related in the Acts and in the
Legends.
The Descent of the Holy Ghost was the first and most important event
after the Ascension of Christ. It is thus described: ‘When the day of
Pentecost was fully come, they were all with one accord in one place.
And suddenly there came a sound from heaven, as of a rushing mighty
wind, and it filled all the house where they were sitting. And there
appeared unto them cloven tongues, like as of fire, and sat upon each
of them, and they were all filled with the Holy Ghost, and began to
speak with other tongues, as the Spirit gave them utterance. And there
were dwelling at Jerusalem Jews, devout men, out of every nation under
heaven. Now when this was noised abroad the multitude came together,
and were confounded, because that every man heard them speak in his own
language.... But this is that which was spoken by the prophet Joel.’
(Acts ii. 1-12, 16.)
Public-domain text, read in full here on John Shaqi.
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