Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
The most ancient series I have met with (in a Greek MS. of the ninth
century) shows us five Apostles crucified: St. Peter and St. Philip
with the head downwards; St. Andrew on the transverse cross, as usual;
St. Simon and St. Bartholomew, in the same manner as our Saviour. St.
Thomas is pierced by a lance; and St. John is buried, and then raised
by angels, according to the legend. The same series, similarly treated,
ornamented the doors of the old Basilica of St. Paul, executed by Greek
artists of the tenth century.[160]
Wherever the Apostles appear as a series, we expect, of course, some
degree of discriminating propriety of character in each face and
figure. We seek it when they merely form a part of the general scheme
of significant decoration in the architectural arrangement of a place
of worship; we seek it with more reason when they stand before us
as a series of devotional representations; and still more when, as
actors in some particular scene, they are supposed to be animated by
sentiments called forth by the occasion, and modified by the individual
character. By what test shall we try the truth and propriety of such
representations? We ought to know both what to require from the artist,
and on what grounds to require it, before we can rest satisfied.
In the Gospel-histories the Apostles are consistently and beautifully
distinguished in temper and bearing. Their characters, whether
exhibited at full length, or merely touched upon, are sustained with
dramatic truth. The mediæval legends, however wild, are, as far as
character goes, in harmony with these scriptural portraits, and fill
up the outline given. It becomes therefore a really interesting
speculation to observe how far this variety of characteristic
expression has been carried out in the early types, how far attended
to, or neglected, by the great painters, since the revival of Art.
ST. PETER AND ST. PAUL.
_Lat._ SS. Petrus et Paulus. _Ital._ San Pietro or Piero, San Paolo.
_Fr._ S. Pierre, S. Paul. _Spa._ San Pedro, San Pablo. (June 29 and
30.)
I have already observed, that, as apostles and preachers of the word,
St. Peter and St. Paul take the first place. Even during their lives,
a superiority was accorded to them; and this superiority, as the
acknowledged heads and founders of the Christian Church, under Christ,
has been allowed down to the present time. The precedence is by common
consent given to St. Peter; but they are held to be equal in faith, in
merit, and in sanctity.
Public-domain text, read in full here on John Shaqi.
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