Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
Peter was at Jerusalem as late as A.D. 52; then at Antioch; also in
Babylon: according to the most ancient testimonies he was at Rome
about A.D. 63; but the tradition, that he resided as bishop in the
city of Rome for twenty-five years, first related by Jerome, seems
questionable.[187] Among the legendary incidents which marked his
sojourn in Rome, the first and the most important is the story of Simon
Magus.
Simon, a famous magician among the Jews, had astonished the whole city
of Jerusalem by his wonderful feats; but his inventions and sorceries
were overcome by the real miracles of Peter, as the Egyptian magi had
been conquered by Aaron. He offered the apostles money to buy the
secret of their power, which Peter rejected with indignation. St.
Augustine tells us, as a characteristic trait of the fiery-spirited
apostle, that ‘if he had fallen on the traitor Simon, he would
certainly have torn him to pieces with his teeth.’ The magician,
vanquished by a superior power, flung his books into the Dead Sea,
broke his wand, and fled to Rome, where he became a great favourite
of the Emperor Claudius, and afterwards of Nero. Peter, bent on
counteracting the wicked sorceries of Simon, followed him to Rome.
About two years after his arrival he was joined there by the Apostle
Paul. Simon Magus having asserted that he was himself a god, and could
raise the dead, Peter and Paul rebuked his impiety, and challenged
him to a trial of skill in presence of the emperor. The arts of the
magician failed; Peter and Paul restored the youth to life: and on many
other occasions Simon was vanquished and put to shame by the miraculous
power of the apostles. At length he undertook to fly up to heaven in
sight of the emperor and the people; and, crowned with laurel, and
supported by demons, he flung himself from a tower, and appeared for a
while to float thus in the air: but St. Peter, falling on his knees,
commanded the demons to let go their hold, and Simon, precipitated to
the ground, was dashed to pieces.
This romantic legend, so popular in the middle ages, is founded on some
antique traditions not wholly unsupported by historical testimony.
Public-domain text, read in full here on John Shaqi.
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