Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
3. Paul, teaching in the synagogue at Antioch, confounds the Jews.
(Acts xviii. 3.)
4. Paul at Corinth engaged in tent-making with his host. This is an
uncommon subject, but I remember another instance in a curious old
German print, where, in the lower part of the composition, the apostle
is teaching or preaching; and above there is a kind of gallery or
balcony, in which he is seen working at a loom: ‘You yourselves know
that these hands have ministered to my necessities, labouring night and
day, because we would not be chargeable unto you.’ (Acts xviii. 6.)
5. Being at Corinth, he is mocked by the Jews. (Acts viii. 12.)
6. He lays his hand on the Christian converts.
7. He is brought before the judgment-seat of Gallio.[200]
* * * * *
‘Paul, in the island of Melita, shaking the viper from his hand,’ is
not a common subject, and yet it is capable of the finest picturesque
and dramatic effects: the storm and shipwreck in the background,
the angry heavens above, the red firelight, the group of astonished
mariners, and, pre-eminent among them, the calm intellectual figure
of the apostle shaking the venomous beast from his hand,—these are
surely beautiful and available materials for a scenic picture. Even if
treated as an allegory in a devotional sense, a single majestic figure,
throwing the evil thing innocuous from him, which I have not yet
seen, it would be an excellent and a significant subject. The little
picture by Elzheimer is the best example I can cite of the picturesque
treatment. That of Le Sueur has much dignity; those of Perino del Vaga,
Thornhill, West, are all commonplace.
Thornhill, as everybody knows, painted the eight principal scenes of
the life of the apostle in the cupola of St. Paul’s.[201] Few people,
I should think, have strained their necks to examine them; the eight
original studies, small sketches _en grisaille_, are preserved in the
vestry, and display that heartless, mindless, mannered mediocrity,
which makes all criticism foolishness; I shall, however, give a list of
the subjects.
1. Paul and Barnabas at Lystra. 2. Paul preaching at Athens. 3. Elymas
struck blind. 4. The converts burn their magical books. 5. Paul before
Festus. 6. A woman seated at his feet; I presume the Conversion of
Lydia of Thyatira. 7. Paul let down in a basket. 8. He shakes the viper
from his hand.
Public-domain text, read in full here on John Shaqi.
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