Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
St. Thomas, called _Didymus_ (the twin), takes, as apostle, the seventh
place. He was a Galilean and a fisherman, and we find him distinguished
among the apostles on two occasions recorded in the Gospel. When
Jesus was going up to Bethany, being then in danger from the Jews,
Thomas said, ‘Let us also go, that we may die with him.’ (John, xi.
16, xx. 25.) After the resurrection, he showed himself unwilling to
believe in the reappearance of the crucified Saviour without ocular
demonstration: this incident is styled the Incredulity of Thomas. From
these two incidents we may form some idea of his character: courageous
and affectionate, but not inclined to take things for granted; or, as
a French writer expresses it, ‘brusque et résolu, mais d’un esprit
exigeant.’ After the ascension, St. Thomas travelled into the East,
preaching the Gospel in far distant countries towards the rising sun.
It is a tradition received in the Church, that he penetrated as far
as India; that there meeting with the three Wise Men of the East,
he baptized them; that he founded a church in India, and suffered
martyrdom there. It is related, that the Portuguese found at Meliapore
an ancient inscription, purporting that St. Thomas had been pierced
with a lance at the foot of a cross which he had erected in that city,
and that in 1523 his body was found there and transported to Goa.
In Correggio’s fresco of St. Thomas as protector of Parma he is
surrounded by angels bearing exotic fruits, as expressing his ministry
in India.
There are a number of extravagant and poetical legends relating to
St. Thomas. I shall here limit myself to those which were adopted in
ecclesiastical decoration, and treated by the artists of the middle
ages.
When St. Thomas figures as apostle, alone or with others, in all the
devotional representations which are not prior to the thirteenth
century he carries as his attribute the builder’s rule, of this form—
[Illustration]
Now, as he was a fisherman, and neither a carpenter nor a mason, the
origin of this attribute must be sought in one of the most popular
legends of which he is the subject.
[Illustration: 81 St. Thomas the Apostle]
Public-domain text, read in full here on John Shaqi.
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