Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
2. Very celebrated is an engraving of this subject by Albert Dürer. The
scene is the interior of a cell, at Bethlehem; two windows on the left
pour across the picture a stream of sunshine, which is represented with
wonderful effect. St. Jerome is seen in the background, seated at a
desk, most intently writing his translation of the Scriptures; in front
the lion is crouching, and a fox is seen asleep. These two animals
are here emblems;—the one, of the courage and vigilance, the other of
the wisdom or acuteness, of the saint. The execution of this print is
a miracle of Art, and it is very rare. There is an exquisite little
picture by Elzheimer copied from it, and of the same size, at Hampton
Court. I need hardly observe, that here the rosary and the pot of holy
water are anachronisms, as well as the cardinal’s hat. By Albert Dürer
we have also St. Jerome writing in a cavern; and St. Jerome reading in
his cell: both woodcuts.
3. Even more beautiful is a print by Lucas v. Leyden, in which St.
Jerome is reclining in his cell and reading intently; the lion licks
his foot.
4. In a picture by Lucas Cranach, Albert of Brandenburg, elector of
Mayence (1527), is represented in the character of St. Jerome, seated
in the wilderness, and writing at a table formed of a plank laid across
two stumps of trees: he is in the cardinal-robes; and in the foreground
a lion, a hare, a beaver, a partridge, and a hind, beautifully
painted, express the solitude of his life. In the background the
caravan of merchants is seen entering the gate of the monastery,
conducted by the faithful lion.
5. The little picture by Domenichino, in our National Gallery,
represents St. Jerome looking up from his book, and listening to the
accents of the angel. 6. In a picture by Tiarini,[258] it is St. John
the Evangelist, and not an angel, who dictates while he writes. 7. In
a picture by Titian, St. Jerome, seated, holds a book, and gazes up at
a crucifix suspended in the skies; the lion is drinking at a fountain.
Out of twenty prints of St. Jerome after Titian, there are at least
eight which represent him at study or writing.
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Public-domain text, read in full here on John Shaqi.
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