Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
By Guercino, St. Gregory seated on a throne, looking upwards, his hand
on an open book, in act to turn the leaves; the dove hovers at his
shoulder: to the left stands St. Francis Xavier; on the right, and more
in front, St. Ignatius Loyola. Behind St. Gregory is an angel playing
on the viol, in allusion to his love and patronage of sacred music;
in front an infant angel holds the tiara. The type usually adopted in
figures of St. Gregory is here exaggerated into coarseness, and the
picture altogether appears to me more remarkable for Guercino’s faults
than for his beauties.[287]
* * * * *
Several of the legends connected with the history of St. Gregory are of
singular interest and beauty, and have afforded a number of picturesque
themes for Art: they appear to have arisen out of his exceeding
popularity. They are all expressive of the veneration in which he was
held by the people; of the deep impression left on their minds by his
eloquence, his sanctity, his charity; and of the authority imputed to
his numerous writings, which commonly said to have been dictated by
the Holy Spirit.
* * * * *
1. John the deacon, his secretary, who has left a full account of his
life, declares that he beheld the Holy Ghost in the form of a dove
perched upon his shoulder while he was writing or dictating his famous
homilies. This vision, or rather figure of speech, has been interpreted
as a fact by the early painters. Thus, in a quaint old picture in the
Bologna Gallery, we have St. Gregory seated on a throne writing, the
celestial dove at his ear. A little behind is seen John the deacon,
drawing aside a curtain, and looking into the room at his patron with
an expression of the most naïve astonishment.
2. The Archangel Michael, on the cessation of the pestilence, sheathes
his sword on the summit of the Mole of Hadrian. I have never seen even
a tolerable picture of this magnificent subject. There is a picture in
the Vatican, in which Gregory and a procession of priests are singing
litanies, and in the distance a little _Mola di Adriano_, with a little
angel on the summit;—curious, but without merit of any kind.
Public-domain text, read in full here on John Shaqi.
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