6. St. Gregory releases the soul of the Emperor Trajan. In a little picture in the Bologna Academy, he is seen praying before a tomb, on which is inscribed TRAJANO IMPERADOR; beneath are two angels raising the soul of Trajan out of the flames. Such is the usual treatment of this curious and poetical legend, which is thus related in the Legenda Aurea:—‘It happened on a time, as Trajan was hastening to battle at the head of his legions, that a poor widow flung herself in his path, and cried aloud for justice, and the emperor stayed to listen to her; and she demanded vengeance for the innocent blood of her son, killed by the son of the emperor. Trajan promised to do her justice when he returned from his expedition. “But, Sire,” answered the widow, “should you be killed in battle, who then will do me justice?” “My successor,” replied Trajan. And she said, “What will it signify to you, great emperor, that any other than yourself should do me justice? Is it not better that you should do this good action yourself than leave another to do it?” And Trajan alighted, and having examined into the affair, he gave up his own son to her in place of him she had lost, and bestowed on her likewise a rich dowry. Now, it came to pass that as Gregory was one day meditating in his daily walk, this action of the Emperor Trajan came into his mind, and he wept bitterly to think that a man so just should be condemned as a heathen to eternal punishment. And entering into a church he prayed most fervently that the soul of the good emperor might be released from torment. And a voice said to him, “I have granted thy prayer, and I have spared the soul of Trajan for thy sake; but because thou hast supplicated for one whom the justice of God had already condemned, thou shalt choose one of two things: either thou shalt endure for two days the fires of purgatory, or thou shalt be sick and infirm for the remainder of thy life.” Gregory chose the latter, which sufficiently accounts for the grievous pains and infirmities to which this great and good man was subjected, even to the day of his death.’ This story of Trajan was extremely popular in the middle ages: it is illustrative of the character of Gregory, and the feeling which gave rise to his doctrine of purgatory. Dante twice alludes to it; he describes it as one of the subjects sculptured on the walls of Purgatory, and takes occasion to relate the whole story:—