Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
St. Gregory’s merciful doctrine of purgatory also suggested those
pictures so often found in chapels dedicated to the service of the
dead, in which he is represented in the attitude of supplication, while
on one side, or in the background, angels are raising the tormented
souls out of the flames.
In ecclesiastical decoration I have seen the two popes, St. Gelasius,
who reformed the calendar in 494, and St. Celestinus, who arranged the
discipline of the monastic orders, added to the series of beatified
Doctors of the Church.
II. THE FOUR GREEK FATHERS.
The Four Greek Fathers are St. John Chrysostom, St. Basil the Great,
St. Athanasius, and St. Gregory Nazianzen. To these, in Greek pictures,
a fifth is generally added, St. Cyril of Alexandria.
From the time of the schism between the Eastern and Western Churches,
these venerable personages, who once exercised such an influence over
all Christendom, who preceded the Latin Fathers, and were in fact their
teachers, have been almost banished from the religious representations
of the west of Europe. When they are introduced collectively as a part
of the decoration of an ecclesiastical edifice, we may conclude in
general, that the work is Byzantine and executed under the influence of
Greek artists.
A signal example is the central dome of the baptistery of St. Mark’s at
Venice, executed by Greek artists of the 12th and 13th centuries. In
the four spandrils of the vault are the Greek Fathers seated, writing
(if I well remember), and in the purest Byzantine style of art. They
occupy the same places here that we find usually occupied by the Latin
Doctors in church decoration: each has his name inscribed in Greek
characters. We have exactly the same representation in the Cathedral
of Monreale at Palermo. The Greek Fathers have no attributes to
distinguish them, and the general custom in Byzantine Art of inscribing
the names over each figure renders this unnecessary: in general, each
holds a book, or, in some instances, a scroll, which represents his
writings; while the right hand is raised in benediction, in the Greek
manner, the first and second finger extended, and the thumb and third
finger forming a cross. According to the formula published by M.
Didron, each of the Greek Fathers bears on a scroll the first words
of some remarkable passage from his works: thus, St. John Chrysostom
has ‘God, our God, who hath given us for food the bread of life,’ &c.:
St. Basil, ‘None of those who are in the bondage of fleshly desires are
worthy,’ &c.: St. Athanasius, ‘Often, and anew, do we flee to thee, O
God,’ &c.: St. Gregory Nazianzen, ‘God, the holy among the holies, the
thrice holy,’ &c.: and St. Cyril, ‘Above all, a Virgin without sin or
blemish,’ &c.
[Illustration: _The five Greek Fathers._]
Public-domain text, read in full here on John Shaqi.
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