Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
All this time he was not even an ordained priest; but shortly after
he had emerged from the desert, Flavian, bishop of Antioch, ordained
him, and appointed him preacher. At the moment of his consecration,
according to the tradition, a white dove descended on his head, which
was regarded as the sign of immediate inspiration. He then entered on
his true vocation as a Christian orator, the greatest next to Paul.
On one occasion, when the people of Antioch had offended the Emperor
Theodosius, and were threatened with a punishment like that which had
fallen on Thessalonica, the eloquence of St. John Chrysostom saved
them: he was so adored by the people, that when he was appointed
patriarch of Constantinople, it was necessary to kidnap him, and carry
him off from Antioch by a force of armed soldiers, before the citizens
had time to interfere.
From the moment he entered on his high office at Constantinople,
he became the model of a Christian bishop. Humble, self-denying,
sleeping on a bare plank, content with a little bread and pulse, he
entertained with hospitality the poor and strangers: indefatigable as
a preacher, he used his great gift of eloquence to convert his hearers
to what he believed to be the truth: he united the enthusiasm and the
imagination of the poet, the elegant taste of the scholar, the logic
of the pleader, with the inspired earnestness of one who had authority
from above. He was, like St. Jerome, remarkable for his influence
over women; and his correspondence with one of his female converts
and friends, Olympias, is considered one of the finest of his works
remaining to us: but, inexorable in his denunciations of vice, without
regard to sex or station, he thundered against the irregularities
of the monks, the luxury and profligacy of the Empress Eudosia, and
the servility of her flatterers, and brought down upon himself the
vengeance of that haughty woman, with whom the rest of his life was
one long contest. He was banished: the voice of the people obliged
the emperor to recall him. Persisting in the resolute defence of his
church privileges, and his animadversions on the court and the clergy,
he was again banished; and, on his way to his distant place of exile,
sank under fatigue and the cruel treatment of his guards, who exposed
him, bareheaded and bare-footed, to the burning sun of noon: and thus
he perished, in the tenth year of his bishopric, and the sixty-third
of his age. Gibbon adds, that, at the pious solicitation of the clergy
and people of Constantinople, his relics, thirty years after his death,
were transported from their obscure sepulchre to the royal city. The
Emperor Theodosius advanced to receive them as far as Chalcedon, and,
falling prostrate on the coffin, implored, in the name of his guilty
parents, Arcadius and Eudosia, the forgiveness of the injured saint.‘
* * * * *
Public-domain text, read in full here on John Shaqi.
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