Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
On the episcopal throne he led the same life of abstinence and humility
as in a cavern of the desert; and contended for the doctrine of the
Trinity against the Arians, but with less of vehemence, and more of
charity, than the other Doctors engaged in the same controversy. The
principal event of his life was his opposition to the Emperor Valens,
who professed Arianism, and required that, in the Church of Cesarea,
Basil should perform the rites according to the custom of the Arians.
The bishop refused: he was threatened with exile, confiscation, death:
he persisted. The emperor, fearing a tumult, resolved to appear in
the church on the day of the Epiphany, but not to communicate. He
came, hoping to overawe the impracticable bishop, surrounded by all
his state, his courtiers, his guards. He found Basil so intent on his
sacred office as to take not the slightest notice of him; those of
the clergy around him continued to chant the service, keeping their
eyes fixed in the profoundest awe and respect on the countenance of
their bishop. Valens, in a situation new to him, became agitated: he
had brought his oblation; he advanced with it; but the ministers at
the altar, not knowing whether Basil would accept it, dared not take
it from his hands. Valens stood there for a moment in sight of all
the people, rejected before the altar,—he lost his presence of mind,
trembled, swooned, and would have fallen to the earth, if one of the
attendants had not received him in his arms. A conference afterwards
took place between Basil and the emperor; but the latter remained
unconverted, and some concessions to the Catholics was all that the
bishop obtained.
St. Basil died in 379, worn out by disease, and leaving behind him many
theological writings. His epistles, above all, are celebrated, not only
as models of orthodoxy, but of style.
Of St. Basil, as of St. Gregory and St. John Chrysostom, we have
the story of the Holy Ghost, in visible form as a dove of wonderful
whiteness, perched on his shoulder, and inspiring his words when he
preached. St. Basil is also celebrated as the founder of Monachism in
the East. He was the first who enjoined the vows of poverty, chastity,
and obedience; and his Rule became the model of all other monastic
Orders. There is, in fact, no other Order in the Greek Church, and when
either monks or nuns appear in a Greek or a Russian picture they must
be Basilicans, and no other: the habit is a plain black tunic with
a cowl, the tunic fastened round the waist with a girdle of cord or
leather. Such is the dress of the Greek caloyer, and it never varies.
* * * * *
The devotional figures of St. Basil represent him, or ought to
represent him, in the Greek pontificals, bareheaded, and with a thin
worn countenance, as he appears in the etching of the Greek Fathers.
* * * * *
Public-domain text, read in full here on John Shaqi.
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