Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
Of all the personages who figure in history, in poetry, in art, Mary
Magdalene is at once the most unreal and the most real:—the most
_unreal_, if we attempt to fix her identity, which has been a subject
of dispute for ages; the most _real_, if we consider her as having
been, for ages, recognised and accepted in every Christian heart as the
impersonation of the penitent sinner absolved through faith and love.
In this, her mythic character, she has been surrounded by associations
which have become fixed in the imagination, and which no reasoning,
no array of facts, can dispel. This is not the place to enter into
disputed points of biblical criticism; they are quite beside our
present purpose. Whether Mary Magdalene, ‘out of whom Jesus cast seven
devils,’ Mary of Bethany, and the ‘woman who was a sinner,’ be, as
some authorities assert, three distinct persons, or, as others affirm,
one and the same individual under different designations, remains a
question open to dispute, nothing having been demonstrated on either
side, from Scripture or from tradition; and I cannot presume even to
give an opinion where doctors—and doctors of the Church, too—disagree;
Origen and St. Chrysostom taking one side of the question, St. Clement
and St. Gregory the other. Fleury, after citing the opinions of both
sides, thus beautifully sums up the whole question:—‘Il importe de ne
pas croire témérairement ce que l’Évangile ne dit point, et de ne pas
mettre la religion à suivre aveuglement toutes les opinions populaires:
_la foi est trop précieuse pour la prodiguer ainsi_; mais la charité
l’est encore plus; et ce qui est le plus important, c’est d’éviter
les disputes qui peuvent l’altérer tant soit peu.’ And this is most
true;—in his time the fast hold which the Magdalene had taken of the
affections of the people was not to be shaken by theological researches
and doubts. Here critical accuracy was nothing less than profanation
and scepticism, and to have attacked the sanctity of the Blessed Mary
Magdalene would have embittered and alienated many kindly and many
believing spirits. It is difficult to treat of Mary Magdalene; and
this difficulty would be increased infinitely if it were absolutely
necessary to enter on the much-vexed question of her scriptural
character and identity: one thing only appeals certain,—that such a
person, whatever might have been her veritable appellation, did exist.
The woman who, under the name of Mary Magdalene,—whether that name be
rightfully or wrongfully bestowed,—stands before us, sanctified in the
imagination and in the faith of the people in her combined character
of Sinner and of Saint, as the first-fruits of Christian penitence,—is
a reality, and not a fiction. Even if we would, we cannot do away with
the associations inseparably connected with her name and her image. Of
all those to whom much has been forgiven, she was the first: of all
the tears since ruefully shed at the foot of the cross of suffering,
Public-domain text, read in full here on John Shaqi.
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