Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
I shall give the legend of the Magdalene here as it was accepted by the
people, and embodied by the arts, of the middle ages, setting aside
those Eastern traditions which represent the Mary of Bethany and the
Magdalene as distinct personages, and place the death and burial-place
of Mary Magdalene at Ephesus. Our business is with the Western legend,
which has been the authority for Western Art. This legend, besides
attributing to one individual, and blending into one narrative, the
very few scattered notices in the Gospels, has added some other
incidents, inconceivably wild and incredible, leaving her, however,
the invariable attributes of the frail loving woman, the sorrowing
penitent, and the devout enthusiastic saint.
Mary Magdalene was of the district of Magdala, on the shores of the
sea of Galilee, where stood her castle, called Magdalon; she was
the sister of Lazarus and of Martha, and they were the children of
parents reputed noble, or, as some say, of royal race. On the death
of their father, Syrus, they inherited vast riches and possessions
in land, which were equally divided between them. Lazarus betook
himself to the military life; Martha ruled her possessions with great
discretion, and was a model of virtue and propriety,— perhaps a little
too much addicted to worldly cares: Mary, on the contrary, abandoned
herself to luxurious pleasures, and became at length so notorious
for her dissolute life, that she was known through all the country
round only as ‘THE SINNER.’ Her discreet sister, Martha, frequently
rebuked her for these disorders, and at length persuaded her to listen
to the exhortations of Jesus, through which her heart was touched
and converted. The seven demons which possessed her, and which were
expelled by the power of the Lord, were the seven deadly sins to which
she was given over before her conversion. On one occasion Martha
entertained the Saviour in her house, and, being anxious to feast him
worthily, she was ‘cumbered with much serving.’ Mary, meanwhile, sat
at the feet of Jesus, and heard his words, which completed the good
work of her conversion; and when, some time afterwards, he supped
in the house of Simon the Pharisee, she followed him thither, ‘and
she brought an alabaster box of ointment, and began to wash his feet
with tears, and did wipe them with the hair of her head, and kissed
his feet, and anointed them with ointment; and He said unto her, Thy
sins are forgiven.’ She became afterwards one of the most devoted of
his followers; ‘ministered to him of her substance;’ attended him to
Calvary, and stood weeping at the foot of the cross. She, with the
other Mary, watched by his tomb, and was the first to whom he appeared
after the resurrection; her unfaltering faith, mingled as it was with
the intensest grief and love, obtained for her this peculiar mark of
favour. It is assumed by several commentators that our Saviour appeared
first to Mary Magdalene because she, of all those whom he had left on
Public-domain text, read in full here on John Shaqi.
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