Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
The legends which have grown out of a few mystical texts of Scripture,
amplified by the fanciful disquisitions of the theological writers,
place St. Michael before us in three great characters:—1. As captain of
the heavenly host, and conqueror of the powers of hell. 2. As lord of
souls, conductor and guardian of the spirits of the dead. 3. As patron
saint and prince of the Church Militant.
* * * * *
When Lucifer, possessed by the spirit of pride and ingratitude, refused
to fall down and worship the Son of man, Michael was deputed to punish
his insolence, and to cast him out from heaven. Then Michael chained
the revolted angels in middle air, where they are to remain till the
day of judgment, being in the mean time perpetually tortured by hate,
envy, and despair: for they behold man, whom they had disdained,
exalted as their superior; above them they see the heaven they have
forfeited; and beneath them the redeemed souls continually rising from
earth, and ascending to the presence of God, whence they are shut out
for ever.
‘Now,’ says the old Legend,[63] ‘if it be asked wherefore the books of
Moses, in revealing the disobedience and the fall of man, are silent
as to the revolt and the fall of the angels, the reason is plain; and
in this God acted according to his wisdom. For, let us suppose that a
certain powerful lord hath two vassals, both guilty of the crime of
treason, and one of these is a nobleman of pure and lofty lineage,
and the other a base-born churl:—what doth this lord? He hangs up the
churl in the market-place as a warning and example to others;—but, for
the nobleman, fearing the scandal that may arise among the people, and
perhaps also some insult to the officers of the law, the judge causes
him to be tried secretly, and shuts him up in a dungeon; and when
judgment is pronounced against him, he sends to his prison, and puts
him privily to death; and when one asketh after him, the answer is only
“He is dead:”—and nothing more. Thus did God in respect to the rebel
angels of old; and their fate was not revealed until the redemption of
man was accomplished.’
This passage from the old Italian legend is so curiously characteristic
of the feudal spirit of Christianity in the middle ages, that I have
ventured to insert it verbatim. If religion did, in some degree, modify
the institutions of chivalry, in a much greater degree did the ruling
prejudices of a barbarian age modify the popular ideas of religion.
Here, notwithstanding the primary doctrine of Christ—the equality of
all men before God, we have the distinction between noble and churl
carried into the very councils of Heaven.
But, to return to St. Michael: on whom, as the leader of his triumphant
hosts, God bestowed many and great privileges. To him it was given
to bid sound th’ archangel trumpet,
Public-domain text, read in full here on John Shaqi.
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