Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
The legend of Monte Galgano I saw in a large fresco, in the Santa Croce
at Florence, by a painter of the Giotto school; but in so bad a state,
that I could only make out a bull on the top of a mountain, and a man
shooting with a bow and arrow. On the opposite wall is the combat of
Michael with the dragon—very spirited, and in much better preservation.
To distinguish the apparition of St. Michael on Monte Galgano from
the apparition on Mont St. Michel, in both of which a bull and a
bishop are principal figures, it is necessary to observe, that, in the
last-named subject, the sea is always introduced at the base of the
picture, and that the former is most common in Italian, and the latter
in French, works of art. In the French stained glass of the thirteenth
and fourteenth centuries, St. Michael is a very popular subject, either
with the dragon, or the scales, or both.
Lately, in removing the whitewash from the east wall of the nave of
Preston Church, near Brighton, was discovered the outline of a group of
figures representing St. Michael, fully draped, and with large wings,
bearing the balance; in each scale a human soul. The scale containing
the _beato_ is assisted by a figure fully draped, but so ruined that
it is not possible to say whether it represents the Virgin, or the
guardian saint of the person who caused the fresco to be painted. I
am told that in the old churches of Cornwall, and of the towns on the
south coast, which had frequent intercourse with France, effigies of
St. Michael occur frequently, both in painting and sculpture. On the
old English coin, thence called an _angel_, we have the figure of St.
Michael, who was one of the patron saints of our Norman kings.
I must now trust to the reader to contemplate the figures of St.
Michael, so frequent and so varied in Art, with reference to these
suggestions; and leaving for the present this radiant Spirit, this
bright similitude of a primal and universal faith, we turn to his
angelic companions.
[Illustration: 41 Egyptian hieroglyphic of the Genius of Good
overcoming Evil (_v._ p. 108)]
ST. GABRIEL.
_Lat._ Sanctus Gabriel. _Ital._ San Gabriello, San Gabriele, L’Angelo
Annunziatore. _Fr._ St. Gabriel.
‘I am GABRIEL, that stand in the presence of God.’—_Luke_ i. 19.
Public-domain text, read in full here on John Shaqi.
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