Sacred Mysteries Among the Mayas and the Quiches, 11,500 Years Ago: Their relation to the sacred mysteries of Egypt, Greece, Chaldea and India. Free Masonry in times anterior to the Temple of Solomon.Le Plongeon, Augustus
History
Sacred Mysteries Among the Mayas and the Quiches, 11,500 Years Ago: Their relation to the sacred mysteries of Egypt, Greece, Chaldea and India. Free Masonry in times anterior to the Temple of Solomon.
From this short digression let us return to the worship of the mastodon
which we find very prevalent in India in that of the elephant _Ganesha_,
the god of prudence, of wisdom, of letters, represented as a _red colored_
man with the head of an elephant. He is invoked by the Hindoos of all sects
at the outset of any business. No one would dream of writing a letter or a
book without previously saluting Ganesha. His image is seen at the crossing
of the roads, oftentimes decorated with a garland of flowers, the offering
of some pious devotee. Architects place it in the foundation of every
edifice. It is sculptured or painted at the door of every house as a
protection against evil; at one of the entrances of every Hindoo city, that
is called _Ganesha-pol_, as well as in some conspicuous door of the palace.
We have already seen that in the most ancient edifices of Mayax the
mastodon's head with its trunk is the principal and most common ornament.
Are these mere coincidences? The name _Ganesha-pol_ would be according to
the Maya language, the _head of Ganesha_; _pol_, in Maya, being the head.
If I wished to go further I might say that in _Ganesha_ we have a
dialectical pronounciation of _Can-ex_, "the serpents." No deity in the
Hindoo pantheon is so often addressed; and his titles are so numerous that
like Osiris it might be named _Myrionymus_ "with ten thousand names."
So many are the legends accounting for the elephant head, it may be safely
assumed that its origin is unknown. May not its worship have been
introduced in India, with many other customs, that for instance of carrying
the children astride on the hip; of printing an impression of the human
hand, dipped in red liquid, on the walls of the temples and other sacred
buildings by devotees etc.; by colonists from Mayax where these customs
prevailed, and the worship of the mastodon was widely spread if not
general? This surmise assumes the semblance of probability when we consider
that the body of Ganesha is painted red, the color characteristic of the
American race, and the symbol of nobility of race among the Egyptians.
Public-domain text, read in full here on John Shaqi.
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