Sacred Mysteries Among the Mayas and the Quiches, 11,500 Years Ago: Their relation to the sacred mysteries of Egypt, Greece, Chaldea and India. Free Masonry in times anterior to the Temple of Solomon.Le Plongeon, Augustus
History
Sacred Mysteries Among the Mayas and the Quiches, 11,500 Years Ago: Their relation to the sacred mysteries of Egypt, Greece, Chaldea and India. Free Masonry in times anterior to the Temple of Solomon.
It would seem that the duration of certain religious festivals was fixed to
commemorate the existence on Earth of these _seven_ primitive gods or
rulers, the tradition of which we find in all countries where we meet with
vestiges of the Mayas. So we see the _seven days_ of the festival of the
Eleusinian mysteries; the _seven days_ of the festival in honor of the bull
Apis, a symbol of Osiris; the _seven days_ of the feast of the tabernacles.
The septenary system was also adopted for the same purpose no doubt, in
Mayax, since we find the _seven_ cities dedicated to each of the members of
king Can's family; the _seven_ pyramids that adorned the city of Uxmal; the
_seven_ turrets that ornamented the south façade of the north wing of king
Can's palace at Uxmal, each turret inscribed with the name of one of the
members of his family; those dedicated to the females being on the east end
of the wing. The _seven gradients_ into which is divided the third or
uppermost of the three platforms that serve as a substructure to the
temples and palaces; the _seven superposed gradients_, forming all the
pyramids calling to mind the _seven terraces_ of the temple of the _seven_
lights at Borsippa, the most perfect form of Chaldee "temple tower," and
the "pyramid degrees" at Sakkara, although in this Egyptian pyramid the
gradients are more numerous. The _seven rooms_ built on the west side of
the conical mound that supports the temple in which the mysteries were
performed at Uxmal: each room again being dedicated to one of the members
of king Can's family; the bust of the person to whom it was consecrated
being affixed over the doorway. The _seven courses_ of the stones used in
the construction of the walls and of the triangular arches that form the
ceilings of the rooms. The same system prevails in the arrangement of the
grand gallery in the centre of the great pyramid at Ghizzeh in Egypt. In
that monument as in all the antique edifices of Mayax, the proportional
scale followed by the architects in the drawing of their plans is in
accordance with the numbers 3, 5, 7, and their multiples.
Public-domain text, read in full here on John Shaqi.
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