Askaris led the way, Somalis in claret-colored fezzes and khaki
uniforms, bare legged, with bandoliers across their chests and rifles
over their shoulders. Their small, dark faces were sharp and fierce;
they marched with the swing of desert men; their glances expressed
their pride, their contempt for the humble, melodious horde that
followed after them.
Four negroes, naked to the waist, supported a machilla, a canopied
hammock of white duck that swung from a bamboo pole. They were Wasena,
specially trained for this fatiguing work, maintaining a smooth step
over the roughest ground. Lilla reclined in the hammock. Her face,
half concealed by the fringe of the awning, appeared opalescent in the
filtered sunlight. Her tapering figure had the grace of Persian queens
and Roman empresses floating along in their litters on ripples of dusky
muscles.
So this delicate, white product of modernity, this embodiment of
civilization's perceptions and all that it pays for them, was borne at
last into the primordial world on the shoulders of savages.
Behind her streamed a hundred porters balancing on their heads the
personal baggage, rolled tents, chop boxes, sacks of safari food. They
were men from Manica, Sofala, and Tete, some of pure strain, others
with Arab and Latin blood in their veins. Their bare torsoes were the
color of chocolate, of ebony, or even of saddle leather; but all their
foreheads bulged out in the same way, all their noses were short and
flat, all their chins receded. On their breasts and arms were charms
of crocodiles' teeth and leopards' claws, to keep them safe from
beasts, rheumatism, arrows, pneumonia, snake bite, and skin diseases.
In the distended lobes of their ears were stuffed cigarettes, horn
snuffboxes, or flowers from the port town.
They were followed by the camp servants in long, white robes,
Beira-boys and Swahilis, driving before them a little flock of sheep.
Parr, at the head of another squad of askaris, brought up the rear,
riding a Muscat donkey. He raised his head, and his withered mouth,
emerging from the shadow of his helmet, showed a melancholy smile.
He was drinking in the smell of Africa, and listening to the song of
the safari.
At times the song died down into a hum. But soon a quavering falsetto
was heard formulating a new motive, expressing a new thought. Other
voices joined the leader's; a minor refrain swept up and down the line;
and abruptly the climax swelled out in a diapason descending far into
the bass. So that every one could sing, the improvisor had phrased his
thoughts in Swahili, the inter-tribal language of Africa. He sang of
the Bibi from afar, her skin like a bowl of milk, who was traveling as
a bride to Fort Pero d'Anhaya.
"She is rich. She is the daughter of a sultan. She is ill, but she
will be well. She is sad, but she will be happy. We shall eat much
meat at her wedding."
The deep chorus rolled out to a banging of sticks on the sides of the
balanced boxes.
Public-domain text, read in full here on John Shaqi.
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