Then, without warning, came the charge.
She became aware of an incredible apparition--a sort of naked
harlequin, magnified by a towering headdress, sailing high, twisting
over his shield like a pole vaulter over a pole, coming down asprawl in
a bed of crimson flowers. Another followed, crouching--or else this
was only a swiftly advancing shield, topped by a tuft of egrets. But
from one side of the shield darted out along, indigo arm, releasing a
spear: an askari leaned against Lilla, coughed, and slipped to the
ground. The advancing shield doubled up, to reveal a warrior who, with
a somersault, a rattle of amulets, a blur of broad polka dots, lay
flat, his face blown away.
More shields were rushing upon the guns, however.
The Mambava, shot through and through, feeling death upon them,
maintained their momentum long enough to drive their weapons through
the khaki jackets, or, at the least, to go down with their teeth buried
in the riflemen's necks, as if that draught of blood might reanimate
them. The wrestlers sank to earth inextricably mingled, a fist perhaps
sticking up above the tangle and slowly relinquishing a broad-bladed
Somali knife.
One remained apart, some dozen yards away, shot through the hips, but
still dragging himself forward. From his open month, yawning black in
the whitened face, issued roars like those of a crippled lion, as with
a lion's courage he still came on, his legs trailing, his body scraping
the soil, a spear in one clenched paw.
Lilla stood paralyzed, alone before that inexorable advance.
For the rampart of askaris had become a circle of dead men, expressing
with their last gestures a deep desire to be remerged with this rich,
dark, ancient earth.
But all at once, as though a bit of blue sky had fallen into the glade,
there appeared between Lilla and the crawling warrior, a figure of
trailing blue robes, bent double, running. It was Hamoud, his turban
gone, his cheek smeared with loam, one shoulder of his robe stained a
deep violet.
Clapping his sandaled foot upon the spear blade, he seized the Mambava
by his plume of egrets. The painted head was dragged back. The
Zanzibar dagger shone through the ribbons of smoke.
Her mouth twisted in abnormal shapes as she struggled to cry out.
"Hamoud!" she screamed at last, raising her arms as high as she could,
and trying to tear her gaze away from that spectacle. The Arab's pose,
as he bent over his enemy, was a frightful burlesque of solicitude.
How many times had she not seen him bending thus over David, maybe to
smooth his pillow? And now, against the colonnade of gloomy trees,
there was something sacrificial in that tableau--the blue robe, the wet
dagger, the plumed head pulled back, with glazed eyes fixed on the
woman who stood rigid, her arms upstretched, transformed from the giver
of life into the giver of death.
Public-domain text, read in full here on John Shaqi.
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