Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
From the Scutari hill-top the eye is greeted by one of the most
enchanting prospects the world has to show--the blue waters of Marmora
traversed by greener Bosphorus currents, light mists resting along the
foot of the hill-bound coast of Asia, a group of islands floating on
the surface of the water, the Golden Horn glimmering away northwards,
with the marble walls of the Seraglio stretching a long white finger
between it and the sea, Stamboul crowned with minarets and domes.
Flocks of gray birds flit aimlessly across the water--the restless
souls of women, says Turkish legend--the waves lap round the tower of
Leander, the light wind comes whispering down between the exquisite
Bosphorus shores, bringing the breath of Russian steppes to shake the
plane-leaves in Scutari streets. Constantinople the Magnificent gathers
her rags round her, throws over her shoulders her imperial robe of
sunshine, and sits in peaceful state with her kingdom of blue waters
at her feet.... But all around you the dead speak and command your
ears. The ground is thick with the graves of men who died fighting,
who died of cold and hunger in bleak Crimea; under your feet are great
pits filled with unhonoured bones, and the white stones which strew the
grass cry aloud the story of struggle and fight into the quiet air.
Beyond them the dark canopy of cypresses shadows countless thousands
of Turkish graves; the surface of the ground is broken and heaped up
as though the dead men had not been content to sleep, but had turned
and twisted in their shallow covering of earth, knocking over their
tombstones in the effort to force a way out of the cold and the dark
into the beautiful world a foot or two above their heads. ‘Remember
us--remember us!’ they cried, as we passed under the cypress-trees. But
no one remembered them, and their forgotten sorrows could only send a
thrill of vague pity through our hearts.
Not less pitiful in their magnificence are the tombs of the Sultans
in Stamboul itself. Here under marble domes, adorned with priceless
tiles and hung round with inlaid armour, you may sit upon the ground
and tell sad stories of the death of kings, and as you tell of poison
and of dagger, of unfaithful wives and treacherous sons, each splendid
sarcophagus will serve as illustration to your words. The graves of
the dead Sultans are strewn with costly hangings, and set about with
railings of mother-of-pearl and precious woods; plumed and jewelled
turbans stand over their heads, their wives lie round them like a
bodyguard, but gold and pearl and precious stones all serve to blazon
forth the tragic histories of those men who lie buried in such mournful
state.
Public-domain text, read in full here on John Shaqi.
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