Safar Nameh, Persian Pictures: A Book Of TravelBell, Gertrude Lowthian
Science
Safar Nameh, Persian Pictures: A Book Of Travel
Bell, Gertrude Lowthian
Iran -- Description and travel
In Persia the usual order of shopping is reversed: you buy not when
you stand in need, but when the merchants choose to come to you.
Moreover, the process is very deliberative, and a single bargain may
stretch out over months. The counters are the backs of mules, which
animals are driven into your garden whenever their owners happen to
be passing by. As you sit under the shadow of your plane-trees you
become conscious of bowing figures before you, leading laden mules
by the bridle; you signify to them that they may spread out their
goods, and presently your garden-paths are covered with crisp Persian
silks and pieces of minute stitching, with Turkoman tent-hangings,
embroideries from Bokhara, and carpets from Yezd and Kerman, and the
sunlight flickers down through the plane-leaves into the extemporary
shop. There is a personal note about these charming materials which
lends them an interest other than that which could be claimed by bright
colours and soft textures alone. They speak of individual labour and
individual taste. Those tiny squares of Persian work have formed part
of a woman’s dress--in some andarun, years of a woman’s life were spent
stitching the close intricate pattern in blended colours from corner to
corner; those strips of linen on which the design of red flowers and
green leaves is not quite completed, come from the fingers of a girl of
Bokhara, who, when she married, threw aside her embroidery-needle and
left her fancy-work thus unfinished.
The bargaining begins: you turn over the stuffs with careless
fingers--this one is very dirty, that very coarse; you lift a corner of
the carpets, and, examining the wrong side with what air of knowledge
you can summon to your aid, you mutter that they are only partially
silken, after all. Finally you make your offer, which is received with
indignant horror on the part of the merchant. He sweeps his wares
aside, and draws from the folds of his garments a box of turquoises,
which he displays to you with many expressions of admiration, and which
you return to him with contemptuous politeness: ‘Mal-e shuma!’--‘They
are your possession!’ He packs up his bundles and retires. In a week or
two he will return with reduced demands; you will raise your offer a
toman or two, and after a few months of coming and going and of mutual
concessions, the disputed carpet will be handed over to you at perhaps
half the price that the owner originally asked; or perhaps the merchant
will return in triumph and inform you that he has sold it to someone
less grasping than you.
Urbane Persian phrases are confusing at first to the brusque European;
it was not until we had made several mistakes that we grew accustomed
to them.
Public-domain text, read in full here on John Shaqi.
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