We have seen how the early type that prevailed so long in England
was that of the Vikings, whilst in the Mediterranean the galley
and carack were collateral kinds of craft. Whilst it is true that
after the Crusades England did eventually begin to build real ships,
yet long before this time out of the ports of Venice, Genoa and
Barcelona were sailing big carrying ships of three decks and of
several hundred tons burthen. Of enormous freeboard, the carack and
caravel were more able to encounter bad weather and to remain in
commission both winter and summer. Able, too, to carry considerable
quantities of merchandise and large numbers of passengers with a
fair chance of making port in safety, they were from the first
destined to become the ideal ship for the trader in preference to
the galley. In war-time the galley was more handy because she could
be manœuvred quickly with oars. But the carack and caravel, when
guns were introduced, instantly exercised an undisputed superiority
in another respect, for they could carry larger and more numerous
cannon, and had the commanding advantage of height, though they
were in comparison with the galleys decidedly cumbrous. Slow in
stays, top-heavy and decidedly uncomfortable, pitching into every
sea, they were far from the ideal. Thus the galley (or its cousin
the galleass) remained in existence for fighting, as distinct from
merchant service, side by side until after the Armada. An effort was
made to re-introduce the galley in the English Navy under Charles
II., but though the galley flourished in the Mediterranean until the
eighteenth century, it was doomed in England gradually but surely
from the beginning of the fourteenth century.
The Viking-like ships of England had gradually undergone important
changes. Alfred had tried the experiment of building them of greater
displacement, and this increase in size had gone on steadily after
the time of William the Conqueror. Moreover, as we have seen, the
development of the forecastle and sterncastle had prepared the
English sailors for the logical outcome of these—the ship with two
or three decks. At first a mere light scaffolding, castellated at
the top and capable of being affixed to a merchant ship on the
declaration of war, these castles had in the march of time assumed
a more permanent character. Instead of being mere supports lashed
together, the framework became more solid, and the design of the
ship was adapted to suit these structures—the sweep of the hull, as
we have seen, coming up to meet the platform, which steadily became
lower and lower and projected less forward until both fore- and
stern-castle were essential portions of the vessel.
Public-domain text, read in full here on John Shaqi.
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