Bytharne tells us just what we want to know about the decoration of
the ships of his time. The external ornamentation from the mainwale
to the top of the castles ought to be painted, he says, with the
colours and devices of the admiral. Likewise the forecastle and
after-castle were to be decorated as splendidly as possible. All the
shields—as we saw in the _Cordelière_—round the upper part of the
castles were to be emblazoned with the admiral’s arms and devices
also. Above the forecastle on a staff inclining forwards was to be
a (pennon) of the admiral’s colours and devices, as also at the two
corners of the castle. Amidships there should be two square banners,
emblazoned with the admiral’s arms, and on the after-castle high
above the rudder he was to have a large square banner larger than
any of the others. From the maintop a broad swallow-tailed standard
was to be flown, of such a length as to reach to the water, and
emblazoned with the admiral’s arms and devices also.
For celebrating a triumph the ship was to be covered in and curtained
with rich cloth and draped. “You may also paint your sails with such
devices and colours as you choose, or with the representation of a
saint if you prefer it.” Then follow the signals to be employed for
summoning the captains of the ships to come aboard the flagship. If
a strange ship were espied, this was to be signalled by putting a
square banner in a weft in the shrouds half-way up on that side
on which the strange ship was seen. At sunset all the ships of the
fleet were to pass ahead of the admiral’s ship and to shout three
times, one after the other, and if they had trumpets they were to be
sounded. At the third shout the master of the admiral’s ship was to
return the salute “causing all those of your ship to shout and the
trumpets and drums to sound.” And each ship as she made the salute
was to ask for the watchword for the night and what course to steer.
These having been given, the ships were all to drop astern again, and
not pass ahead of the flagship during the night on pain of severe
punishment.
Public-domain text, read in full here on John Shaqi.
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