146. Ensign staff.
147. Ensign.
148. Bower cable.
[Illustration: FIG. 80. A FIRST-RATER OF 1815, SHOWING DETAILS OF
SPARS AND RIGGING.]
[Illustration: FIG. 81. FULL-RIGGED SHIP.
1. Flying jib.
2. Outer jib.
3. Inner jib.
4. Fore topmast staysail.
5. Fore-course _or_ foresail.
6. Lower fore topsail.
7. Upper fore topsail.
8. Lower fore topgallant sail.
9. Upper fore topgallant sail.
10. Fore royal.
11. Main course _or_ mainsail.
12. Lower main topsail.
13. Upper main topsail.
14. Lower main topgallant sail.
15. Upper main topgallant sail.
16. Main royal.
17. Cross-jack (_pr._ cro’jack).
18. Lower mizzen topsail.
19. Upper mizzen topsail.
20. Lower mizzen topgallant sail.
21. Upper mizzen topgallant sail.
22. Mizzen royal.
23. Driver _or_ spanker.]
CHAPTER IX.
THE FORE-AND-AFT RIG AND ITS DEVELOPMENTS; COASTERS, FISHING BOATS,
YACHTS, ETC.[116]
So far we have, with the exception of the primitive lateen, dealt
exclusively with the square-rigged sailing ship. We have seen that
this was the earliest and has continued to be the most universal
sail of the ship. The Egyptian and other early races possessed it,
and likewise the Greeks, Romans and Vikings. In the most modern
full-rigged ship it is to-day seen as conspicuous as ever. For
ocean, deep-sea sailing it has no peer, but in course of time with
the growth of the coasting and fishing shipping, of pilotage and
yachting, a rig that was suitable for deep-sea sailing was found
to be not altogether ideal for the new demands. And so, gradually,
side by side with the squaresail, has grown up another development
which we may divide into two sections: first, the fore-and-aft
rig, and secondly, the compromises that have been made between the
fore-and-aft and the squaresail.
It would be quite impossible here to trace in such complete detail
the history and development of the fore-and-afters as we have done
of the larger sailing ships; that, indeed, demands a separate
volume to itself. But we can show here, what, as far as I am able
to ascertain, has never been attempted by any previous writer, in
outline, at least, the story of the rise of the fore-and-after,
and link it up to that larger ship that sets her sails at an angle
athwart the keel instead of parallel with it. We shall thus complete
our study in connecting the present with the past, and in showing
how the latest _Shamrock_ is related to the early Egyptian ship, and
how on the one hand she has inherited certain family characteristics
of her fore-parent, yet on the other hand, through coming under new
influences and acquiring new habits, she has altered some of the
features by which her ancestors were especially distinguished.
Public-domain text, read in full here on John Shaqi.
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