Among the ruins of Hippo, that old Roman and Phoenician city, they search for the place where Augustin's monastery stood, without much hope of ever finding it. Some have thought to locate it upon that hill where the water brought from the near mountains by an aqueduct used to pour into immense reservoirs, and where to-day rises a new basilica which attracts all eyes out at sea. Behind the basilica is a convent where the Little Sisters of the Poor lodge about a hundred old people. So is maintained among the African Mussulmans the remembrance of the grand Christian _marabout_. One might possibly wish to see there a building more in the pure and quiet taste of antiquity. But after all, the piety of the intention is enough. This hospital serves admirably to call up the memory of the illustrious bishop who was charity itself. As for the basilica, Africa has done all she can to make it worthy of him. She has given her most precious marbles, and one of her fairest landscapes as a frame. It is chiefly in the evening, in the closing dusk, that this landscape reveals all its special charm and its finer values. The roseate glow of the setting sun throws into sharp relief the black profile of the mountains, which command the Seybouse valley. Under the mustering shadows, the pallid river winds slowly to the sea. The gulf, stretching limitless, shines like a slab of salt strangely bespangled. In this atmosphere without mists, the sharp outlines of the coast, the dense movelessness of the aspect, has an indescribable effect. It is like a hitherto unknown and virginal revelation of the earth. Then the stars bloom out, with a flame, an hallucinating palpability. Charles's Wain, burning low on the gorges of the Edough, seems like a golden waggon rolling through the fields of Heaven. A deep peace settles upon farmland and meadow country, only broken by a watch-dog's bark now and then.... But it matters not which spot is chosen in the surroundings of Hippo to place Augustin's monastery, the view will be equally beautiful. From all parts of the plain, mounded by heaps of ruins, the sea can be seen--a wide bay circled in soft bland curves, like at Naples. All around, an arena of mountains--the green ravines of the Edough and its wooded slopes. Along the surbased roads rise the great sonorous pines, and through them wanders the æolian complaint of the sea-winds. Blue of the sea, blue of the sky, noble foliage of Italy's ancient groves--it is one of Lamartine's landscapes under a more burning sun. The gaiety of the mornings there is a physical luxury for heart and eyes, when the new-born light laughs upon the painted cupolas of the houses, and dark blue veils float between the walls, glaring white, of the steep streets.