The events of the time, the little happenings of the moment, glide into his sermons. At the same time as the service in church to-day, there is going to be horse-racing at the circus, and fights of wild beasts or gladiators at the arena. In consequence, there will not be many people in the Basilica. "So much the better," says Augustin. "My lungs will get some rest." Another time, it is advertised through the town that most sensational attractions will be offered at the theatre--there will be a scene representing the open sea. The preacher laughs at those who have deserted the church to go and see this illusion: "They will have," says he, "the sea on the stage; but we, brothers--ah, we shall have our port in Jesus Christ." This Saturday, while he is preaching, some Jewish women set themselves to dance and sing on the terraces of the near houses, by way of celebrating the Sabbath. In the basilica, the bashing of the crotolos can be heard, and the thuds of the tambourines. "They would do better," says Augustin, "to work and spin their wool." He dwells upon the catastrophes which were then convulsing the Roman world. The news of them spread with wonderful rapidity. Alaric's Barbarians have taken Rome and put it to fire and sword. At Jerusalem has been an earthquake, and the bishop John organizes a subscription for the sufferers throughout Christendom. At Constantinople, globes of fire have been seen in the sky. The _Serapeum_ of Alexandria has just been destroyed in a riot.... All these things follow each other in lively pictures, without any apparent order, throughout Augustin's sermons. It is not he who divides his discourse into three parts, and refrains from passing to the second till he has learnedly expounded the first. Whether he comments upon the Psalms or the Gospels, his sermons are no more than explanations of the Scriptures which he interprets, sometimes in a literal sense, and sometimes in an allegoric. Let us acknowledge it--his allegoric discourses repel us by their extreme subtilty, sometimes by their bad taste; and when he confines himself to the letter of the text, he stumbles among small points of grammar which weary the attention. We follow him no longer. We think his audience was very obliging to listen so long--and on their feet--to these endless dissertations.... And then, suddenly, a great lyrical and oratorical outburst which carries us away--a wind which blows from the high mountains, and in the wink of an eye sweeps away like dust all those fine-spun reasonings.