Plainly, religion was only an excuse for these excesses. Augustin goes too far when he makes the gods responsible for this riot of sensuality. What is true is that they did nothing to hinder it. And it is also true that the lechery, which he flings so acridly in the face of the pagans, the gross stage-plays, the songs, dances, and even prostitution, were all more or less included in the essence of paganism. The theatre, like the games of the arena and circus, was a divine institution. At certain feasts, and in certain temples, fornication became sacred. All the world knew what took place at Carthage in the courts and under the porticoes of the Celestial Virgin, and what the ears of the most chaste matrons were obliged to hear, and also what the use was of the castrated priests of the Great Mother of the gods. Augustin, who declaims against these filthy sports, has not forced the note of his denunciation to make out a good case. If anybody wants to know in more detail the sights enjoyed at the theatre, or what were the habits of certain pious confraternities, he has only to read what is told by Apuleius, the most devout of pagans. He takes evident pleasure in these stories, or, if he sometimes waxes indignant, it is the depravity of men he accuses. The gods soar at a great height above these wretched trifles. To Augustin, on the contrary, the gods are unclean devils who fill their bellies with lust and obscenities, as if they were hankering for the blood and grease of sacrifices. And so he puts his finger on the open wound of paganism--its basic immorality, or, if you like, its unmorality. Like our scientism of to-day, it was unable to lay down a system of morals. It did not even try to. What Augustin has written on this subject in _The City of God_, is perhaps the strongest argument ever objected to polytheism. Anyhow, pages like this are very timely indeed to consider: