Carthage (Extinct city) -- History -- Fiction; Historical fiction
A candelabrum completely covered with chiselled flowers was burning at
the far end, and each of its eight golden branches bore a wick of byssus
in a diamond chalice. It was placed upon the last of the long steps
leading to a great altar, the corners of which terminated in horns of
brass. Two lateral staircases led to its flattened summit; the stones
of it could not be seen; it was like a mountain of heaped cinders, and
something indistinct was slowly smoking at the top of it. Then further
back, higher than the candelabrum, and much higher than the altar, rose
the Moloch, all of iron, and with gaping apertures in his human breast.
His outspread wings were stretched upon the wall, his tapering hands
reached down to the ground; three black stones bordered by yellow
circles represented three eyeballs on his brow, and his bull’s head
was raised with a terrible effort as if in order to bellow.
Ebony stools were ranged round the apartment. Behind each of them was
a bronze shaft resting on three claws and supporting a torch. All these
lights were reflected in the mother-of-pearl lozenges which formed the
pavement of the hall. So lofty was the latter that the red colour of the
walls grew black as it rose towards the vaulted roof, and the three eyes
of the idol appeared far above like stars half lost in the night.
The Ancients sat down on the ebony stools after putting the trains of
their robes over their heads. They remained motionless with their hands
crossed inside their broad sleeves, and the mother-of-pearl pavement
seemed like a luminous river streaming from the altar to the door and
flowing beneath their naked feet.
The four pontiffs had their places in the centre, sitting back to back
on four ivory seats which formed a cross, the high-priest of Eschmoun
in a hyacinth robe, the high-priest of Tanith in a white linen robe, the
high-priest of Khamon in a tawny woollen robe, and the high-priest of
Moloch in a purple robe.
Hamilcar advanced towards the candelabrum. He walked all round it,
looking at the burning wicks; then he threw a scented powder upon them,
and violet flames appeared at the extremities of the branches.
Then a shrill voice rose; another replied to it, and the hundred
Ancients, the four pontiffs, and Hamilcar, who remained standing,
simultaneously intoned a hymn, and their voices—ever repeating the
same syllables and strengthening the sounds—rose, grew loud, became
terrible, and then suddenly were still.
There was a pause for some time. At last Hamilcar drew from his breast a
little three-headed statuette, as blue as sapphire, and placed it before
him. It was the image of Truth, the very genius of his speech. Then he
replaced it in his bosom, and all, as if seized with sudden wrath, cried
out:
“They are good friends of yours, are the Barbarians! Infamous traitor!
You come back to see us perish, do you not? Let him speak!—No! no!”
Public-domain text, read in full here on John Shaqi.
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