Carthage (Extinct city) -- History -- Fiction; Historical fiction
The torches, however, which were scattered on the ground, were still
burning, while here and there on the mother-of-pearl pavement was
stretched from them what looked like spots of blood. The Ancients were
reeling from exhaustion; they filled their lungs inhaling the freshness
of the air; the sweat flowed down their livid faces; they had shouted
so much that they could now scarcely make their voices heard. But their
wrath against the Suffet was not at all abated; they hurled menaces at
him by way of farewells, and Hamilcar answered them again.
“Until the next night, Barca, in the temple of Eschmoun!”
“I shall be there!”
“We will have you condemned by the rich!”
“And I you by the people!”
“Take care that you do not end on the cross!”
“And you that you are not torn to pieces in the streets!”
As soon as they were on the threshold of the court they again assumed a
calm demeanour.
Their runners and coachmen were waiting for them at the door. Most of
them departed on white mules. The Suffet leaped into his chariot and
took the reins; the two animals, curving their necks, and rhythmically
beating the resounding pebbles, went up the whole of the Mappalian Way
at full gallop, and the silver vulture at the extremity of the pole
seemed to fly, so quickly did the chariot pass along.
The road crossed a field planted with slabs of stone, which were painted
on the top like pyramids, and had open hands carved out in the centre as
if all the dead men lying beneath had stretched them out towards heaven
to demand something. Next there came scattered cabins built of earth,
branches, and bulrush-hurdles, and all of a conical shape. These
dwellings, which became constantly denser as the road ascended towards
the Suffet’s gardens, were irregularly separated from one another by
little pebble walls, trenches of spring water, ropes of esparto-grass,
and nopal hedges. But Hamilcar’s eyes were fastened on a great tower,
the three storys of which formed three monster cylinders—the first
being built of stone, the second of brick, and the third all of
cedar—supporting a copper cupola upon twenty-four pillars of juniper,
from which slender interlacing chains of brass hung down after the
manner of garlands. This lofty edifice overlooked the buildings—the
emporiums and mercantile houses—which stretched to the right, while
the women’s palace rose at the end of the cypress trees, which were
ranged in line like two walls of bronze.
When the echoing chariot had entered through the narrow gateway it
stopped beneath a broad shed in which there were shackled horses eating
from heaps of chopped grass.
Public-domain text, read in full here on John Shaqi.
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