Salem Witchcraft, Volumes I and II: With an Account of Salem Village and a History of Opinions on Witchcraft and Kindred SubjectsUpham, Charles Wentworth
History
Salem Witchcraft, Volumes I and II: With an Account of Salem Village and a History of Opinions on Witchcraft and Kindred Subjects
Upham, Charles Wentworth
Salem (Mass.) -- History -- Colonial period, ca. 1600-1775; Witchcraft -- Massachusetts -- Salem -- History -- 17th century
A witch was believed to have the power of operating upon her victims,
at any distance, by the instrumentality of puppets. She would procure
or make an object like a doll, or a figure of some animal,—any little
bunch of cloth or bundle of rags would answer the purpose. She would
will the puppet to represent the person whom she proposed to torment or
afflict; and then whatever she did to the puppet would be suffered by
the party it represented at any distance, however remote. A pin stuck
into the puppet would pierce the flesh of the person whom she wished to
afflict, and produce the appropriate sensations of pain. So would a
pinch, or a blow, or any kind of violence. When any one was arrested on
the charge of witchcraft, a search was immediately made for puppets
from garret to cellar; and if any thing could be found that might
possibly be imagined to possess that character,—any remnant of flannel
or linen wrapped up, the foot of an old stocking, or a cushion of any
kind, particularly if there were any pins in it,—it was considered as
weighty and quite decisive evidence against the accused party.
A writer, in a recent number of the "North-Ameri[i.409]can Review," on
the superstitions of the American Indians, makes the following
statement:—
"The sorcerer, by charms, magic songs, magic feats, and the beating of
his drum, had power over the spirits, and those occult influences
inherent in animals and inanimate things. He could call to him the
souls of his enemies. They appeared before him in the form of stones.
He chopped and bruised them with his hatchet; blood and flesh issued
forth; and the intended victim, however distant, languished and died.
Like the sorcerer of the middle ages, he made images of those he wished
to destroy, and, muttering incantations, punctured them with an awl;
whereupon the persons represented sickened and pined away."
It was a received opinion, accredited and acted upon in courts, that a
person in confederacy with the Evil One could not weep. Those accused
of this crime, both in Europe and America, were, in many instances, of
an age and condition which rendered it impossible for them, however
innocent, to escape the effect of this test. A decrepit, emaciated
person, shrivelled and desiccated by age, was placed at the bar: and if
she could not weep on the spot; if, in consequence of her withered
frame, her amazement and indignation at the false and malignant charges
by which she was circumvented, her exhausted sensibility, her sullen
despair, the hopeless horror of her situation, or, from what often was
found to be the effect of the treatment such persons received, a
high-toned consciousness of innocence, and a brave defiance and stern
condemnation of her maligners and persecutors; if, from any
cause,[i.410] the fountain of tears was closed or dried up,—their
failure to come forth at the bidding of her defamers was regarded as a
sure and irrefragable proof of her guilt.
Public-domain text, read in full here on John Shaqi.
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