“I couldn't say exactly,” said Uncle Sylvester reflectively. “It may be
his eyes, or only his cravat! But,” rising cheerfully and placing his
hand lightly on his brother's shoulder, “don't YOU worry yourself about
that stock, old man; I'LL see that somebody else has the worry and you
the cash. And as to the land and--Kitty--well, you hold on to them both
until you find out which the young man is really after.”
“And then?” said Gabriel, with a smile.
“Don't give him either! But, I say, haven't we had enough business this
morning? Let's talk of something else. Who's the French girl?”
“Marie? She's the daughter of Jules du Page--don't you
remember?--father's friend. When Jules died, it was always thought
that father, who had half adopted her as a child, would leave her
some legacy. But you know that father died without making a will, and
that--rich as he was--his actual assets were far less than we had reason
to expect. Kitty, who felt the disappointment as keenly as her friend, I
believe would have divided her own share with her. It's odd, by the way,
that father could have been so deceived in the amount of his capital,
or how he got rid of his money in a way that we knew nothing of. Do you
know, Sylvester, I've sometimes suspected”--
“What?” said Uncle Sylvester suddenly.
The bored languor of his face had abruptly vanished. Every muscle was
alert; his gray eyes glittered.
“That he advanced money to Du Page, who lost it, or that they speculated
together,” returned Gabriel, who, following Uncle Sylvester's voice
only, had not noticed the change of expression.
“That would seem to be a weakness of the Lane family,” said Uncle
Sylvester grimly, with a return of his former carelessness. “But that is
not YOUR own opinion--that's a suggestion of some one else?”
“Well,” said Gabriel, with a laugh and a slight addition of color, “it
WAS Gunn's theory. As a man of the world and a practical financier, you
know.”
“And you've talked with HIM about it?”
“Yes. It was a matter of general wonder years ago.”
“Very likely--but, just now, don't you think we've had enough financial
talk?” said Uncle Sylvester, with a bored contraction of his eyebrows.
“Come,” looking around the room, “you've changed the interior of the old
house.”
“Yes. Unfortunately, just after father's death it was put in the hands
of a local architect or builder, one of father's old friends, but not
a very skillful workman, who made changes while the family were away.
That's why your present bedroom, which was father's old study, had a
slice taken off it to make the corridor larger, and why the big chimney
and hearthstone are still there, although the fireplace is modernized.
That was Flint's stupidity.”
“Whose stupidity?” asked Uncle Sylvester, trimming his nails.
“Flint's--the old architect.”
“Why didn't you make him change it back again?”
Public-domain text, read in full here on John Shaqi.
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