Salve Venetia, gleanings from Venetian history; vol. ICrawford, F. Marion (Francis Marion)
History
Salve Venetia, gleanings from Venetian history; vol. I
Crawford, F. Marion (Francis Marion)
Venice (Italy) -- History
Strangers who visit Venice often wonder idly whether there is any
meaning in the half-cabalistic signs coarsely painted on the dyed sails
of the fishing-boats that glide in towards evening, one after the other,
and take their places for the night, like weary live things coming home
to sleep. There shines the roughly-drawn presentment of a cock,
apparently in an attitude of ecstasy before a rising sun that bears a
strong resemblance to an omelet; and there a mystic beast that may be
meant for a donkey, unless it stands for a grasshopper. You may wonder
which, unless you ask of some superannuated old fisherman loitering on
the quay at sunset with his pipe for company. But he will tell you that
the cock and the rising sun are the hereditary emblems of all the
descendants
[Illustration: OFF THE PUBLIC GARDENS]
of ancient Josaphat, a fisherman of Padua who adopted them long ago; and
that the monster grasshopper-donkey is really a horse, and belongs to
another family of fishers, the Cavallarin; and so on, through as many as
you can point out. It is the heraldry of the fisher people, begun long
ago by the Niccolotti and preserved religiously by their descendants to
this present time; and though heraldry is ancient in Venice, there may
be stone coats of arms on walls of time-worn palaces that look down upon
the Grand Canal, less old than some of these rude ancestral bearings of
the sea, that have been handed down from generation to generation
through uncounted centuries.
Possibly, though no one would be bold enough to call it certain, the
fishermen who were the Niccolotti formed the first and oldest guild in
Venice; at all events the others bear a strong resemblance to theirs
when we first hear of them.
[Sidenote: _Molmenti, Vita Privata._]
[Sidenote: _Cecchetti, Corte._]
[Sidenote: _Sagredo._]
They grew up in Venice, as they did in Florence and other cities of
Italy, close corporations of arts and trades, which were protected by
the State, and assured many privileges to those who belonged to them,
chief of which was a sort of monopoly of each branch of industry, which
enriched the workmen without injuring the State. Under laws by which no
new object could be sold except in properly authorised shops, there was
no fear of foreign competition nor of home depression. Each guild was a
little republic in itself, thriving in the heart of the great maritime
Republic, occupied in administering its own affairs, and never making
itself a source of anxiety to the government by meddling in politics.
Public-domain text, read in full here on John Shaqi.
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