It sometimes happened that a brother, of his own accord, rather than be expelled, wished to quit a school, in entering which he had perhaps experienced some difficulty. To this end the statutes of some schools laid down that he should pay a considerable fine, that in the presence of his companions he should be placed upon a bier, and that while the bells tolled as for a dead man he should be carried round the church. After the passage of this law such cases grew much less frequent. In the end the schools became very rich institutions, for the members not only contributed money, but they and their families, and doubtless many members of the guilds, worked for nothing on their churches, their hospitals, and their asylums for the old. The competition between different schools was keen, and led to their beautifying their oratories and their places of meeting with magnificent works of art, so that almost all the great painters of Venice first acquired fame under their protection. In the fourteenth century such men as Carpaccio and Bellini, and later, Titian, Veronese, and Tintoretto, were all humble brethren of the Guild of Painters and Varnishers, and they all, without exception, submitted in their schools to the authority of men who were very likely nothing better than house-painters by profession, though they were undoubtedly men of high morality and probably of considerable cultivation. As for the treasure that accumulated in the name of the Guild, it was not only used for the sick and in aiding young artists, but it was also not unusual to give dowries to the daughters of poor brethren, and sometimes considerable sums were sent to members of the Guild whom some urgent matter detained abroad without sufficient means of livelihood. [Sidenote: _Cecchetti, Corte._]