Salve Venetia, gleanings from Venetian history; vol. ICrawford, F. Marion (Francis Marion)
History
Salve Venetia, gleanings from Venetian history; vol. I
Crawford, F. Marion (Francis Marion)
Venice (Italy) -- History
[Illustration: DOOR OF THE TREASURY, ST. MARK’S]
[Illustration: ZATTERE, THE MORNING MIST]
XI
CONSPIRACY OF MARINO FALIERO
The conspiracy of Bocconio has no very distinct character; it was
neither an attempt at popular revolution, nor an effort on the part of
the burghers against the people on the one hand and the aristocracy on
the other. The outbreak under the leadership of Tiepolo and the Quirini,
although they succeeded in giving it the appearance of a democratic
movement, was in reality an attempt on the part of an ambitious noble to
seize the power wielded by the Doge Pietro Gradenigo, a man perhaps as
ambitious as Tiepolo himself, but who at all events had been regularly
elected to be the head of the Republic. The third conspiracy of which we
find an account during the fourteenth century was undoubtedly meant to
overthrow the government, and to gather into one hand the whole of that
authority which belonged equally to all members of the same class. The
conspiracy of the Doge Marino Faliero has been related in many ways--as
a romance, as a poem, as an instance of political passion, but very
generally without a careful consideration of the facts. Most writers
represent the old Doge as driven to betray his country by outrageous
calumnies against his wife, invented by some youths of the aristocracy.
Others, like Byron, believe that he wished to free his country from the
petty tyranny and real oppression it suffered under the complicated
system of councils:--
We will renew the times of truth and justice,
Condensing in a fair, free commonwealth,
Not rash equality, but equal rights.
In his dramatic upholding of what he believed the truth, Byron was so
far carried away as to cause the Doge to be decapitated in 1355 on the
steps of the ‘Giants’ Staircase,’ which was not constructed until 1485,
between the two colossal statues set up there by Jacopo Sansovino in
1554. A careful examination of historical documents would seem to
destroy almost altogether the common version of the tragedy.
[Sidenote: _Lazzarini, Marin Falier in Arch. Veneto._]
Marino Faliero was born between 1280 and 1285, the son of Marco Faliero
and Beriola Loredan. He belonged to the Falieri of the Santi Apostoli,
so called from the name of the district in which they lived, to
distinguish them from the Falieri who lived in other parts of the city,
some of whom did not belong to the same family, and were not even
nobles. He was called Marino Junior, in order not to confuse him with an
uncle of the same name, who was known as Marino Senior.
Very little is recorded concerning his youth, but Lazzarini finds that
his education was not very different from that of his peers, and was
probably conducted by the sort of tutor then called a Master of Grammar;
and that the young man must have become familiar from his earliest years
with navigation, commerce, and the public affairs of the Republic.
Public-domain text, read in full here on John Shaqi.
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