Salve Venetia, gleanings from Venetian history; vol. ICrawford, F. Marion (Francis Marion)
History
Salve Venetia, gleanings from Venetian history; vol. I
Crawford, F. Marion (Francis Marion)
Venice (Italy) -- History
‘That this Count Francesco Carmagnola, a public traitor to our dominion,
be led to-day, after nones, at the usual hour, with a gag in his mouth
and with his hands tied behind his back, according to custom, between
the two columns of the Square of Saint Mark’s, to the usual place of
execution, and that his head be there struck off his shoulders, so that
he die.’
The sentence goes on to direct that the Count’s widow should enjoy the
interest of ten thousand ducats of the bonded debt, on condition that
she should live in Treviso. Provision was also made for his unmarried
daughters. As for the one who was affianced to
[Illustration: THE FRARI]
Sigismondo Malatesta, since there was no divorce law by which he could
sever an alliance which was odious, he adopted the simple expedient of
murdering her as soon as he had married her and secured her dowry.
[Sidenote: _Rom. iv. 162, note 2._]
Carmagnola’s body was dressed in crimson velvet, and on his severed head
was placed the cap which still bears his name. The corpse was borne to
the church of San Francesco della Vigna with twenty-four torches, but as
it was about to be buried there, the capuchin monk who had received his
last confession appeared in haste and said that the dead man had wished
to be buried in the church of the Frari, and he was accordingly laid
there, in the cloister. In Venice it was the custom that the clothes of
executed persons should be given to the gaoler, not to the headsman; but
in this case the Council of Ten decreed that the dress worn by
Carmagnola should be handed over with his body to the monks of the
church where he was buried, the gaoler receiving ten ducats as
compensation.
His remains are now interred in Milan beside those of his wife Antonia
in the greater church of Saint Francis. The historian Morosini, quoted
by Romanin in a note, judged from his statue that he had the hard face,
the cruel eye, and, generally, the unpleasant aspect which denote a man
of dangerous character and stubborn purpose; and adds that he was a
person of a keen wit, a tough constitution, and great courage, but
capricious and of doubtful honesty.
Carmagnola’s wife was deeply implicated in his treachery, as is not
surprising considering that she was known as the niece of Giovanni
Galeazzo Visconti, and was believed by many to be his daughter. She and
her children were required to remain in Venice some time
[Illustration: THE CHOIR SCREEN, FRARI]
Public-domain text, read in full here on John Shaqi.
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