Salve Venetia, gleanings from Venetian history; vol. IICrawford, F. Marion (Francis Marion)
History
Salve Venetia, gleanings from Venetian history; vol. II
Crawford, F. Marion (Francis Marion)
Venice (Italy) -- History
At the time of the league of Cambrai, for instance, when Pope Julius
II., the Emperor Maximilian, Louis XII. of France, and Ferdinand of
Aragon agreed to destroy the Venetian Republic, and when it looked as if
they must succeed, the Company of the ‘Eternals’ produced a mummery
which was highly appreciated both by the government and the population.
They gave a sumptuous feast, after which the dining-hall was, as by
magic, turned into an improvised theatre. In the middle of the stage
[Sidenote: _1510. Rom. v. 246._]
sat a young noble who personated the King, splendidly arrayed in the
Byzantine fashion, and attended by his counsellors, his chancellor, and
his interpreter. Before him there came in state one who played the Papal
Legate, dressed as a bishop in silk of old-rose colour, and he presented
a brief and his credentials; whereupon, after crowning and blessing the
King, he observed that he should like to see a little dancing, and two
of the Companions at once danced for him with two of the fairest ladies.
The Legate was followed by the Ambassador of the Holy Roman Empire, and
the Ambassadors of France, Spain, Hungary, and Turkey arrived in turn;
each spoke in the language of his country, and his speech was
interpreted to the King. Last of all came the Ambassador of the Pigmies
mounted on a tiny pony accompanied by four dwarfs and the professional
buffoon Zanipolo. We must suppose the speeches to have been very witty,
and the dwarfs and buffoons highly comic, since this incomprehensible
nonsense was a stupendous success and was talked of long afterwards.
The taste for these ‘momarie,’ literally ‘mummeries,’ grew in Venice.
Marin Sanudo describes one which was produced in the Square of Saint
Mark’s on the Thursday before Lent in 1532. I translate a part of the
list of the masks, to give an idea of the whole.
First, the goddess Pallas Athene with her shield and a book in her hand,
riding on a serpent.
Second, Justice riding on an elephant, with sword, scales, and globe.
Third, Concord, on a stork with sceptre and globe.
Fourth, Victory on horseback, with sword, shield, sceptre, and palm.
Fifth, Peace riding a lamb, and holding a sceptre with an olive branch.
And so on. Then Ignorance, riding an ass, and holding on by the tail,
met Wisdom and fought and was beaten. And Violence appeared on a
serpent, and Mars on a horse, and Want on a dog with a horn full of
straw for its emblem. And Violence was soundly beaten by Justice,
Discord by Concord, and Mars by Victory, and Abundance drove Want from
the field.
Such were the shows that amused the Venetians, while written comedy was
slowly growing out of infancy.
The Companions of the Hose Club revenged themselves cruelly on any one
of their own number who
[Sidenote: _Tassini, under Osteria della Campana._]
Public-domain text, read in full here on John Shaqi.
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