Salve Venetia, gleanings from Venetian history; vol. IICrawford, F. Marion (Francis Marion)
History
Salve Venetia, gleanings from Venetian history; vol. II
Crawford, F. Marion (Francis Marion)
Venice (Italy) -- History
FRANCISCO MAUROCENO
Peloponnesiaco adhuc viventi
Senatus.
Another monument in Venice recalls the glorious war of the Peloponnesus.
After having taken Athens, Morosini hastened to the Parthenon, for he
[Sidenote: _Quadri, 302; Rom. vii. 491._]
appears to have been a man of highly cultivated tastes. To his
inexpressible disappointment he found the temple half ruined, for the
Turks had used it as a powder magazine, and a Venetian bomb had blown it
up. Morosini was so much overcome that he broke out into lamentations
over a loss which nothing could replace. But there amidst piles of ruins
he saw two splendid lions of marble from Pentelicus, which he at once
caused to be placed on board his vessel, rather to save them, perhaps,
than to exhibit them as trophies. In Venice they were set up on each
side of the gate of the Arsenal.
Morosini was one of the few Venetian generals who was not made to suffer
for his success. When
[Sidenote: _1688. Rom. vii. 504._]
at the very height of his triumph he learnt that he was elected Doge,
and though he had little success in the campaign after that, and was
even dangerously ill, he was magnificently received when he returned to
Venice. Pope Alexander VIII., Ottoboni, sent him the staff and military
hat which it was customary to give to generals who had distinguished
themselves in war against infidels. But it was clear that in his absence
nothing could be accomplished, and he soon obtained permission of the
government to take command of the Venetian forces once more. His
departure on the twenty-fourth of May 1693 was a sort of national
festivity. The Senate went to fetch him in his own apartment, and a long
procession accompanied him to Saint Mark’s. Preceded by halberdiers,
singers, files of servants in liveries of scarlet velvet and gold, many
priests, canons, and the Patriarch himself, besides the traditional
silver trumpets, the Doge walked between the Pope’s nuncio and the
French ambassador. He wore the full dress of a Venetian
commander-in-chief, which was of gold brocade with a long train. But
even in his glory the Venetians noticed with displeasure and suspicion
that he carried in his hand the staff of the General, which he evidently
preferred to the sceptre of the Doge, and which suggested to the crowd
the thought that he might seize the supreme power.
[Illustration: THE NAVE OF S. STEFANO]
On the following day he embarked upon the Bucentaur, which took him on
board his flagship amidst the applause of the crowd, the pealing of the
church bells, and a salute of artillery from the fort of Saint Nicholas
on the Lido, as his vessel got under way.
Public-domain text, read in full here on John Shaqi.
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