Salve Venetia, gleanings from Venetian history; vol. IICrawford, F. Marion (Francis Marion)
History
Salve Venetia, gleanings from Venetian history; vol. II
Crawford, F. Marion (Francis Marion)
Venice (Italy) -- History
It seems that even the Council anticipated that he would use bad
language, for the underling who took him the notice was a
Comandator-Portier, and was made to wear a red cap with the arms of the
Republic as a badge ‘to protect him against abuse’!
In 1791, when a company formed of nobles undertook to build the Fenice
Theatre, using part of the ruins of the old theatre of San Benedetto,
they presented to the Doge a memorandum concerning the boxes for the
Diplomatic Corps, of which I give an extract for the sake of its
monumental absurdity, translating the terms quite literally:--
The reverend Company of the New Theatre is disposed to meet the
public commands with submissive obedience, and will therefore at
all times venerate whatsoever Your Serenity may be pleased to
prescribe....
In order to continue the building begun, it is necessary to sell
the new boxes which have been added to those which formed the last
theatre, and the greatest profit that may be hoped for lies in
those situated in the first and second rows; but, as those places
are subject to the dispositions above alluded to, which take from
the owners the use of their own boxes, without fixing the measure
of the corresponding indemnity, the sale of those boxes would be
rendered impossible in the present state of things, to the
incalculable damage of the sinking company, which would thus see
removed the hope of soon finishing the building begun, or else
would be put to new and enormous expense which would cause to
vanish those expectations of profit which the Sovereign Clemency
of the Most Excellent Council of Ten had benignly permitted the
Company to entertain.
[Illustration: NEAR THE FENICE]
The memorandum ends with the rather startling statement that the
pretensions of the ambassadors, if admitted, would cause the Company to
lose eleven thousand ducats.
The Doge, who afterwards showed small alacrity to act when the country
was in mortal danger, was apparently much moved on receiving the
Company’s petition, and forthwith summoned the Senate to consider the
weighty matter; it is true that if he had done anything for the
petitioners without appealing to that body, he would have been naturally
suspected of being a shareholder.
The Senate decided that, without making any change in the method of
drawing boxes, and without prejudice to the existing system in any other
theatre, ambassadors should pay owners one hundred and sixty’ ducats for
boxes in the first row, and that ministers should pay eighty ducats for
those in the second; whereby, said the Senate, which still preserved
traditions of business, the owners of the said boxes would be getting
four per cent on the money they had invested.
The construction of the famous Fenice lasted twenty months, and the new
theatre opened with an opera by Paisiello on a libretto by Alessandro
Pepoli.
[Illustration: GRAND CANAL FROM THE FISH MARKET]
Public-domain text, read in full here on John Shaqi.
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