Samplers and Tapestry Embroideries: Second EditionHuish, Marcus B. (Marcus Bourne)
History
Samplers and Tapestry Embroideries: Second Edition
Huish, Marcus B. (Marcus Bourne)
Embroidery -- England; Samplers -- England; Tapestry -- England
"Sad sewers make sad samplers. We'll be sorry
Down to our fingers'-ends and 'broider emblems
Native to desolation--cypress sprays,
Yew-tufts and hectic leaves of various autumn
And bitter tawny rue, and bent blackthorns."
_The Soldier of Fortune._--LORD DE TABLEY.
Cut and Drawn-Work
The open-work stitchery, which is so important and pleasing a feature of
the seventeenth-century sampler, is of two kinds; that is, _double_
cut-work--the Italian _punto tagliato_--in which both warp and woof
threads are removed, save for a few necessary connecting bars, and
_single_ cut-work--_punto tirato_--wherein but one set of threads is
withdrawn. The first type (which is probably the "rare Italian cut-work"
mentioned in "The Needle's Excellency") is the immediate ancestor of
needle-point lace, and is the kind that is oftenest met with in the oldest
and finest samplers; the second approaches more nearly to the drawn-thread
embroidery worked both abroad and at home at the present day.
In executing real double cut-work, after the surplus material has been cut
away, the supporting or connecting threads are overcast, the edges of the
cut linen buttonholed, and the spaces within this framework filled in with
lace-stitches, simple or elaborate. In the best specimens of samplers the
effect is sometimes enhanced by portions of the pattern being detached
from the ground, as in the upper part of the beautiful sampler illustrated
in Fig. 72.[14] These loose pieces usually have as basis a row of
buttonhole-stitches worked into the linen, but in some examples the lace
has been worked quite separately and sewn on. The mode of working both
double and single cut-work is shown plainly in the two enlargements (Figs.
73 and 74), which are of parts of samplers probably worked about 1660.
[Illustration: FIG. 72--DRAWN-WORK SAMPLER. 17TH CENTURY.]
There is a third and much simpler type of open-work occasionally found on
seventeenth-century samplers, which is carried out by piercing the linen
with a stiletto and overcasting the resulting holes so as to produce a
series of bird's-eye or eyelet stitches. All three varieties of
open-stitch are frequently seen in combination with that short, flat
satin-stitch, which, when worked in a diaper pattern with white thread or
silk on a white ground, is sometimes called damask-stitch. This pretty
combination of stitches appears in Plate VI., and also in the enlargement
(Fig. 74) already referred to.
[Illustration: FIG. 73.--CUT AND DRAWN-WORK: ENLARGEMENT FROM 17TH-CENTURY
SAMPLER.]
Back-Stitch
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