Samplers and Tapestry Embroideries: Second EditionHuish, Marcus B. (Marcus Bourne)
History
Samplers and Tapestry Embroideries: Second Edition
Huish, Marcus B. (Marcus Bourne)
Embroidery -- England; Samplers -- England; Tapestry -- England
The stitches exemplifying the mode of darning damask, cambric, or linen
had usually a sampler entirely devoted to them, and at one period--the end
of the eighteenth century--it seems to have been a fairly general custom
that a girl should work one as a companion to the ordinary sampler of
lettering and patterns. The specimen darns on such a sampler are, as a
rule, arranged in squares or crosses round some centre device, a bouquet
or basket of flowers for instance, or it may be merely the initials of the
worker in a shield. The two samplers (Fig. 76 and Plate XXIV.) are typical
examples of their kind, although perhaps the ornamental parts of the
designs are a little more fanciful than in the majority of those met with.
[Illustration: FIG. 75.--BACK-STITCH: ENLARGEMENT OF PORTION OF SAMPLER IN
FIG. 5. 17TH CENTURY. TWICE ACTUAL SIZE.]
The best worked--not necessarily the most elaborately embellished--of this
particular class of sampler has small pieces of the material actually cut
out and the holes filled up with darning, but in inferior ones the stuff
is left untouched, and the darn is simply worked on the linen, tammy
cloth, or tiffany itself. This is a very much easier method and the
appearance is better; but the darns so made are, after all, but imitations
of the real thing. For the damask darns fine silk of two colours is
invariably used, and in the properly worked examples both sides are alike,
save, of course, for the reversal of the damask effect, as in woven
damask.
The centre designs in the two samplers illustrated are worked in fine
darning-stitches of divers kinds, outlined with chain and stem stitches.
Here and there a few other stitches are introduced, as in the stem of the
rose in Fig. 76, where French knots are used to produce the mossy
appearance. The centre basket in this sampler is worked in lines of
chain-stitching crossing each other lattice fashion. Both the samplers
have the initials of their workers, and in that shown in Fig. 76 the date
(1802) also, neatly darned into one of the crosses formed by the damask
patterns.
Darning-samplers are usually square, or nearly square, in shape, and are
simply finished with a single line of hem-stitching at the edge, but some
of the older ones are ornamented with a broader band of drawn-work as
border; while a few have examples of drawn-work, alternating with squares
and crosses of darning, in the body of the sampler. A small section of
such a sampler, dated 1785, is illustrated on an enlarged scale in Fig.
77. It has a series of small conventional leaf patterns worked in single
drawn-work, and edged with a scalloping worked in chain-stitch with green
silk. The ground of this particular sampler is thin linen, but the
muslin-like stuff known as tiffany is that used for the foundation of nine
darning-samplers out of ten.
Tent and Cross Stitches
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account