Samuel Boyd of Catchpole Square: A MysteryFarjeon, B. L. (Benjamin Leopold)
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Samuel Boyd of Catchpole Square: A Mystery
Farjeon, B. L. (Benjamin Leopold)
Detective and mystery stories; London (England) -- Fiction
"Yes," he drawls, and hazards three consecutive words. "Your friend
arrived?" It is not a question in which he seems to take more than a
momentary interest. He does everything languidly; even when he raises
his white fingers to caress his moustache, which has been the business
of his life, it is done as though the effort were a tax upon his
physical powers. This, to many of the opposite sex, is one of his
charms.
"Not yet," my lady answers.
"By the way," he says, and either forgets what he was going to say, or
finds the effort of a long sentence too great.
"You were going to speak about the old bills?" she asks.
"Yes."
"I wrote to him to bring them to-night. I can't imagine how I forgot
to ask him for them when I gave him the new acceptances you and
Wharton signed."
"Not--business--woman," he observed, with a pause between each word.
"Don't be ridiculous, Fairfax," she protested, with a merry laugh.
"Not a business woman? I should like to know what would become of
Wharton if I were not."
"Floored," said Lord Fairfax.
"Indeed he would be. And don't I manage _you?_"
"Difficult?" he asked.
"Not at all. You are the dearest fellow! I shall be almost ashamed to
ask you for another cheque to-morrow."
"Don't. Stumped."
"Next week, then?" He nods. She casts a critical look around. "Our
most brilliant gathering, I think."
"Jolly," he says, and, being by this time exhausted, he leaves her at
the fountain, where, presently, she is joined by other guests, with
whom she carries on an animated conversation.
The grounds, with their thousands of coloured lights, are dotted with
the attractive dresses of the ladies and the soberer costume of the
gentlemen. Pleasure shows its smiling face, and doors are shut upon
black care. No face brighter than that of Lady Wharton, none more free
from the least suspicion of anxiety. Her hearty voice rings out, an
invitation to mirth and gaiety. And yet as time wears on there is an
anxious thought in her mind. "Why does the man not come?" she thinks.
"He promised to be here faithfully, and it must be now nearly one
o'clock." She consults a jewelled watch. "Yes, it is--one o'clock."
The fact is, my lady is pressed for money, and she is expecting to
receive a thousand pounds to-night in ready cash, half of which must
go to her dressmaker in the morning. For, come what may, my lady must
be dressed. So she stands at the fountain, and taps her foot
impatiently. Soft gleaming lights, fair sky with its panoply of stars
and bright moon shining, sounds of rippling laughter, gay forms
gliding and flitting through the lacework of the trees: a fairy scene,
made not less beautiful by the dark spaces wherein the pines, their
topmost branches silvered by the moon, stand apart, picturesque
sentinels of the night.
To my lady a liveried footman, who presents a card. She moves into the
light to read it.
"At last!" she says. "Where is the man?"
"He is waiting to see you, my lady."
Public-domain text, read in full here on John Shaqi.
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