Samuel Boyd of Catchpole Square: A MysteryFarjeon, B. L. (Benjamin Leopold)
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Samuel Boyd of Catchpole Square: A Mystery
Farjeon, B. L. (Benjamin Leopold)
Detective and mystery stories; London (England) -- Fiction
Unable to resist the temptation Abel Death bought half a pound of the
pretty things, and had received and paid for them, when he noticed an
ugly piece of lead at the bottom of the scale in which the fruit was
weighed. What made the matter worse was that on the coster's barrow
was displayed an announcement in blazing letters of vermilion, "Come
to the Honest Shop for Full Weight." Which teaches a lesson as to the
faith we should place in boisterous professions. Abel Death
remonstrated, the coster slanged and bullied, there was a row and a
growling crowd, some of whom had been defrauded in like manner, and
among the crowd an inspector of weights and measures, who, backed by a
constable, forthwith brought before the magistrate the cheat, the
barrow (the coster wheeling it), the innocent cherries, and the scales
with the piece of lead attached to the wrong balance. The moving
scene, with its animated audience laughing, babbling, explaining at
the heels of the principal actors in the drama, was almost as good a
show as a Punch and Judy. With tears in his eyes, which he wiped away
with his cuff, the coster declared that he'd take his oath he didn't
know how the piece of lead could have got on the bottom of the scale,
all he could say was that some one who had a down on him must have put
it there to get him in trouble, he'd like to find out the bloke, that
he would, he'd make it hot for him; and, despite this whining defence,
was fined, would not pay the fine, and went to prison for seven days,
whimpering as he was led from the court, "Wot's the use of a cove
tryin' to git a honest livin'?"
The result of this swift stroke of justice was a mortal enmity against
Abel Death. He proclaimed a vendetta, and waited for his chance,
meanwhile avenging himself by kicking and cuffing the younger members
of the Death family when he met them, and encouraging his children to
do the same. The chance came with the disappearance of Abel Death and
the discovery of the murder of Samuel Boyd. Forthwith he set light to
a fire which spread with startling rapidity, and he went about
instilling his poison into the ears of Mrs. Death's neighbours. Hence
her agony of mind.
Dick traced the rumours to their fountain head, found the man, talked
to him, argued with him--in vain. It was a public matter, and the
usual crowd collected.
"Look 'ere," cried the coster, to Dick, "we don't want none o' _your_
cheek, we don't. Who are you, I'd like to know, puttin' _your_ spoke
in? A innercent man, is 'e? Looks like it, don't it? Wot's the
innercent man a-keepin' out of the way for? Why don't 'e come 'ome?
Tell me that? 'Ere, I'll wait till you've made up somethink, somethink
tasty, yer know. Take yer time. Wot! Ain't got a bloomin' word to say
for yerself? Wot do you think?" Appealing to the people surrounding
them. "'E's a nice sort o' chap to come palaverin' to me, ain't 'e?"
Public-domain text, read in full here on John Shaqi.
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